Why does critical theory matter today? In Critical Theory: The Basics(Routledge, 2024), Martin Shuster, a Professor of Philosophy and the Isaac Swift Distinguished Professor of Jewish Studies at the University of North Carolina at Charlotte, explores the history, thought and legacy of the Frankfurt School to demonstrate the urgency of critical theory for explaining the world. Beginning with the idea of needless suffering as a concept animating the theory and practice of thinkers such as Adorno, Horkheimer, Marcuse and Benjamin, the book ranges widely across topics including subjectivity, the social world, art, culture and religion. An accessible introduction to complex, but urgent, thought, the book is essential reading for arts, humanities and social science scholars, as well as for anyone who would like to change the world.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
Two new books add context to changes at federal agencies under the Trump administration. First, Irene Vega interviewed 90 ICE agents over a number of years for her book Bordering on Indifference. In today's episode, she speaks with NPR's A Martínez about the frequent tension between agents' professional and personal backgrounds. Then, Tim Weiner's new book The Mission considers how the CIA is reimagining the art of espionage in the modern era. In today's episode, he talks with NPR's Mary Louise Kelly about what he calls an "ideological purge" at the CIA under President Trump and how technology can make spying more difficult.
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Today we’re continuing our series on Harry Frankfurt’s seminal work, On Bullshit. I have the privilege to speak with Arvind Narayanan co-author of the book AI Snake Oil: What Artificial Intelligence Can Do, What it Can’t, and How to Tell the Difference(Princeton University Press, 2024). Arvind is the perfect guest to explore the subject of bullshit in AI as AI Snake Oil takes on the ridiculous hype ascribed to the promise of AI. AI chatbots often hallucinate and many of the promoters of AI engage in the art of bullshit when selling people on wild and crazy AI applications.
Arvind Narayanan is professor of computer science at Princeton University and director of its Center for Information Technology Policy.
In 2024, ratings for the NCAA women's basketball final topped the men's final by 4 million viewers – and Caitlin Clark was largely responsible. American sports fans fell in love with the athlete and Clark, now with the Indiana Fever, went on to become a star. Christine Brennan's new book On Her Game looks at the athlete's role in U.S. sports and culture. In today's episode, Brennan talks with NPR's Scott Simon about Clark's time playing on a boys' team, conversations about race surrounding her success, and pay disparities between the NBA and WNBA.
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At the turn of the twentieth century, the Black press provided a blueprint to help Black Americans transition from slavery and find opportunities to advance and define African American citizenship. Among the vanguard of the Black press was Jefferson Lewis Edmonds, founder and editor of The Liberator newspaper. His Los Angeles-based newspaper championed for women's rights, land and business ownership, education, and civic engagement, while condemning lynchings and other violent acts against African Americans. It encouraged readers to move westward and build new communities, and it printed stories about weddings and graduations as a testament to the lives and moments not chronicled in the White-owned press.
Edmonds took this fierce perspective in his career as a journalist, for he himself was born into slavery and dedicated his life to creating pathways of liberation for those who came after him. Across the pages of his newspaper, Edmonds painted a different perspective on Black life in America and championed for his community--from highlighting the important work of his contemporaries, including Booker T. Washington and W.E.B. Du Bois, to helping local readers find love in the personal ads section. The Liberator, along with a chorus of Black newspapers at the turn of the century, educated an entire generation on how to guard their rights and take claim of their new American citizenship.
Written by Jefferson Lewis Edmonds' great-great granddaughter, We Now Belong to Ourselves: J. L. Edmonds, the Black Press, and Black Citizenship in America(Oxford University Press, 2025) chronicles how Edmonds and other pioneering Black publishers documented the shifting tides in the advancement of Black liberation. Arianne Edmonds argues that the Black press was central in transforming Black Americans' communication patterns, constructing national resistance networks, and defining Black citizenship after Reconstruction--a vision, mission, and spirit that persists today through Black online social movements. Weaving together poetry, personal narrative, newspaper clips, and documents from the Edmonds family archive, We Now Belong to Ourselves illustrates how Edmonds used his platform to center Black joy, Black triumph, and radical Black acceptance.
Arianne Edmonds is a 5th generation Angeleno, archivist, civic leader, and founder of the J.L. Edmonds Project, an initiative dedicated to preserving the history and culture of the Black American West. She is currently a Senior Civic Media Fellow at the USC Annenberg School for Communication and Journalism funded by the MacArthur Foundation and a Commissioner for the Los Angeles Public Library.
Heart Lamp, this year's International Booker Prize winner, is the first short story collection to receive the award. It is also the first time the prize has been awarded to an author writing in Kannada and a translator from India. The collection tells the stories of women living in southern India against a backdrop of poverty and patriarchal systems. In today's episode, author Banu Mushtaq and translator Deepa Bhasthi join Here & Now's Asma Khalid to discuss the collection and the impact of the prize.
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The title of the musical “Maybe Happy Ending” might leave you guessing about the storyline, but there’s no doubt the show itself is getting its due. It recently won six Tony Awards, including Best Musical. Senior arts correspondent Jeffrey Brown has a look for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders
In 1972, Maurice and Maralyn Bailey set out from England to sail around the world. Partway through the voyage, a whale knocked a hole in their boat, leaving the couple stranded at sea. A Marriage at Sea, a new book by Sophie Elmhirst, chronicles how the Baileys struggled to survive for months as they awaited rescue. In today's episode, the author speaks with NPR's Mary Louise Kelly about the Baileys' story.
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More than a century and a half after Robert E. Lee surrendered to Ulysses S. Grant, historians are still searching for exactly when the U.S. Civil War ended. Was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”?
That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose previous work served as a key source of Steven Spielberg’s Lincoln. Vorenberg was inspired to write this groundbreaking book, finding its title, Lincoln's Peace, in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln’s untimely death. To say how a war ends is to suggest how it should be remembered, and Vorenberg’s search is not just for the Civil War’s endpoint but for its true nature and legacy, so essential to the American identity. It’s also a quest, in our age of “forever wars,” to understand whether the United States’s interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane.
Some 100 years after prohibition, a distillery in Providence is serving up local liquor. But it's not your run-of-the-mill alcohol, it’s both organic and oceanic. Pamela Watts of Rhode Island PBS Weekly reports for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders
