Category: 3-BookTalkDaily

The spring 2022 battle for Kyiv was "one of the most tragic – and the most bizarre – events in modern history," writes Illia Ponomarenko. "Outnumbered and outgunned, Ukraine sustained the most critical blow and unexpectedly delivered Russia the greatest and most defining defeat of this war. It spelt a stunning end to the Kremlin’s megalomaniac plans of an easy conquest of a 40-million-person nation. Ukraine did it alone, by itself, still with very little defence aid from the West, And that uneven victory altered the course of European history".

In I Will Show You How It Was: The Story of Wartime Kyiv (Bloomsbury, 2024), Ponomarenko recalls life in Ukraine's capital during the delusional, extended Christmas leading up to Russia's full-scale invasion, after the shock and awe of the first night and the fight for the northern suburbs, and amid the joy of victory. 

It is the story of a nation, a city, a reporter and his friends, family, and colleagues. A founder and defence editor of the Kyiv Independent, which he left last summer to write the book, Ponomarenko mixes reporting with polemic. The mixture has turned this 32-year-old native Russian speaker from southern Donbas into one of the war’s biggest media personalities with 1.2 million Twitter followers.

*The authors' book recommendations are Babi Yar: The Story of Ukraine's Holocaust by Anatoly Kuznetsov as "A. Anatoli" (first published in Russian in 1966; in English translation by David Floyd with Vintage Classics, 2024) and Our Enemies Will Vanish: The Russian Invasion and Ukraine's War of Independence by Yaroslav Trofimov (Penguin, 2024).

Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack.

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In 2022, the U.S. Mint released the first batch of its American Women Quarters series, celebrating the achievements of U.S. women throughout its history. The first set of five included Maya Angelou, Sally Ride…and Anna May Wong, the first Asian-American to ever appear on U.S. currency.

Katie Gee Salisbury takes on Anna May Wong’s life in her book Not Your China Doll: The Wild and Shimmering Life of Anna May Wong (Dutton, 2024). The biography takes readers through Wong’s life, from her start in Hollywood’s early days, her struggles against prejudiced studio executives unwilling to give her the spotlight, through to her groundbreaking trip to China.

In this interview, Katie and I talk about Anna May Wong’s life, her struggles against censorship, and what films you should watch to understand Wong as an actress.

A fifth-generation Chinese American from Southern California, Katie has spoken and written about Anna May Wong on MSNBC, in the New York Times and in Vanity Fair. She also writes the newsletter Half-Caste Woman. She was a 2021 Jerome Hill Artist Fellowship finalist and gave the TED Talk “As American as Chop Suey.” Follow on Instagram at @annamaywongbook and on Twitter at @ksalisbury.

Other links:

—Katie on writing Anna May Wong’s biography, for Lithub

—An excerpt of Not Your China Doll, for PBS

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Including its review of Not Your China Doll. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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When we think of censorship, our minds might turn to state agencies exercising power to silence dissent. However, contemporary concerns about censorship arise in contexts where non-state actors suppress expression and communication. There are subtle and not-so-subtle forms of interference that come from social groups, employers, media corporations, and even search engines. Should these “new” forms of censorship alarm us? Should we assess them in ways that mirror our typical views about state-enacted censorship? If not, how should we think about non-state modes of censorship?

In Private Censorship (Oxford University Press, 2024), JP Messina takes up these broad questions. He examines a range of emerging sites of non-state censorship – what he calls “private” censorship – and sorts through the normative, political, and legal issues.

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How do we know what we know about the origins of the Christian religion? Neither its founder, nor the Apostles, nor Paul left any written accounts of their movement. The witnesses' testimonies were transmitted via successive generations of copyists and historians, with the oldest surviving fragments dating to the second and third centuries - that is, to well after Jesus' death. 

In Resetting the Origins of Christianity: A New Theory of Sources and Beginnings (Cambridge UP, 2022), Markus Vinzent interrogates standard interpretations of Christian origins handed down over the centuries. He scrutinizes - in reverse order - the earliest recorded sources from the sixth to the second century, showing how the works of Greek and Latin writers reveal a good deal more about their own times and preoccupations than they do about early Christianity. In so doing, the author boldly challenges understandings of one of the most momentous social and religious movements in history, as well as its reception over time and place.

Markus Vinzent has recently retired as Professor in the Department of Theology and Religious Studies at King’s College, London. He is a Fellow of the Max Weber Centre for Advanced Cultural and Social Studies of the University of Erfurt. A recipient of awards from the British Academy, the Arts and Humanities Research Board, the Deutsche Forschungsgemeinschaft, and the Agence Nationale de Recherche, France, he is the author of Writing the History of Early Christianity: From Reception to Retrospection (Cambridge University Press, 2019).

Jonathon Lookadoo is Associate Professor at the Presbyterian University and Theological Seminary in Seoul, South Korea. While his interests range widely over the world of early Christianity, he is the author of books on the Epistle of Barnabas, Ignatius of Antioch, and the Shepherd of Hermas, including The Christology of Ignatius of Antioch (Cascade, 2023).

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Was Weimar doomed from the outset?

In November 1918: The German Revolution (Oxford University Press, 2020), Robert Gerwarth argues that this is the wrong question to ask. Forget 1929 and 1933, the collapse of Imperial Germany began as a velvet revolution where optimism was as common as pessimism. A masterful synthesis told through diaries and memories, Gerwarth reminds us that contemporaries live events before we have them act out history.

Robert Gerwarth is Professor of Modern History at UCD and Director of the Centre for War Studies. He is the author of The Bismarck Myth (Oxford UP, 2005) and a biography of Reinhard Heydrich (Yale UP, 2011). His third monograph, The Vanquished: Why the First World War Failed to End was published by Penguin (UK) and FSG (US) in the autumn of 2016.

Ryan Stackhouse is a historian of Europe specializing in modern Germany and political policing under dictatorship. His forthcoming book Enemies of the People: Hitler’s Critics and the Gestapo explores enforcement practices toward different social groups under Nazism. He also cohosts the Third Reich History Podcast and can be reached at john.ryan.stackhouse@gmail.com or @Staxomatix.

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David Pozen is the Charles Keller Beekman Professor of Law at Columbia Law School and the author of the new book, The Constitution of the War on Drugs (Oxford UP, 2024). An expert in constitutional law, Pozen argues that the drug war has been an unmitigated disaster, in terms of money, efficacy, and human rights. But even as activists peel off the drug war’s more unsavory aspects through cannabis and psychedelic legalization, Pozen also argues that they’ve neglected to consider the impact America’s courts could have on rectifying oppressive drug laws.

It wasn’t always this way. The Constitution of the War on Drugs also details the “hidden history” of a brief legal moment in the late 1960s and early 1970s when lawyers effectively argued for liberalized drug policies – on the sound basis of the Constitution. The moment was eventually overturned, but Pozen argues it could be a useful historical lesson for people interested in the effects of constitutional law on the drug war today.

A link to the digital edition of The Constitution of the War on Drugs will soon be available here.

Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is coming out soon from the University of Chicago Press.

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The #MeToo movement inspired millions to testify to the widespread experience of sexual violence. More broadly, it shifted the deeply ingrained response to women’s accounts of sexual violence from doubting all of them to believing some of them. What changed?

In The #MeToo Effect: What Happens When We Believe Women (Columbia UP, 2023), Leigh Gilmore provides a new account of #MeToo that reveals how storytelling by survivors propelled the call for sexual justice beyond courts and high-profile cases. At a time when the cultural conversation was fixated on appeals to legal and bureaucratic systems, narrative activism— storytelling in the service of social change—elevated survivors as authorities. Their testimony fused credibility and accountability into the #MeToo effect: uniting millions of separate accounts into an existential demand for sexual justice and the right to be heard.

Gilmore reframes #MeToo as a breakthrough moment within a longer history of feminist thought and activism. She analyzes the centrality of autobiographical storytelling in intersectional and antirape activism and traces how literary representations of sexual violence dating from antiquity intertwine with cultural notions of doubt, obligation, and agency. By focusing on the intersectional prehistory of #MeToo, Gilmore sheds light on how survivors have used narrative to frame sexual violence as an urgent problem requiring structural solutions in diverse global contexts. Considering the roles of literature and literary criticism in movements for social change, The #MeToo Effect demonstrates how “reading like a survivor” provides resources for activism.

Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1

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From Bill Clinton playing his saxophone on The Arsenio Hall Show to Barack Obama referencing Jay-Z's song "Dirt Off Your Shoulder," politicians have used music not only to construct their personal presidential identities but to create the broader identity of the American presidency. Through music, candidates can appear relatable, show cultural competency, communicate values and ideas, or connect with a specific constituency. On a less explicit level, episodes such as Clinton's sax-playing and Obama's shoulder brush operate as aural and visual articulations of race and racial identity. But why do candidates choose to engage with race in this manner? And why do supporters and detractors on YouTube and the Twittersphere similarly engage with race when they create music videos or remixes in homage to their favorite candidates?

With Barack Obama, Ben Carson, Kamala Harris, and Donald Trump as case studies, Tracks on the Trail: Popular Music, Race, and the US Presidency (U Michigan Press, 2023) sheds light on the factors that motivate candidates and constituents alike to articulate race through music on the campaign trail and shows how the racialization of sound intersects with other markers of difference and ultimately shapes the public discourse surrounding candidates, popular music, and the meanings attached to race in the 21st century. Gorzelany-Mostak explores musical engagement broadly, including official music in the form of candidate playlists and launch event setlists, as well as unofficial music in the form of newly composed campaign songs, mashups, parodies, and remixes.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Alexander Statman's book A Global Enlightenment: Western Progress and Chinese Science (U Chicago Press, 2023) is a revisionist history of the idea of progress reveals an unknown story about European engagement with Chinese science.

The Enlightenment gave rise not only to new ideas of progress but consequential debates about them. Did distant times and places have anything to teach the here and now? Voltaire could believe that they did; Hegel was convinced that they did not. Early philosophes praised Chinese philosophy as an enduring model of reason. Later philosophes rejected it as stuck in the past. Seeking to vindicate ancient knowledge, a group of French statesmen and savants began a conversation with the last great scholar of the Jesuit mission to China. Together, they drew from Chinese learning to challenge the emerging concept of Western advancement.

A Global Enlightenment traces this overlooked exchange between China and the West to make compelling claims about the history of progress, notions of European exceptionalism, and European engagement with Chinese science. To tell this story, Alexander Statman focuses on a group of thinkers he terms “orphans of the Enlightenment,” intellectuals who embraced many of their contemporaries’ ideals but valued ancient wisdom. They studied astronomical records, gas balloons, electrical machines, yin-yang cosmology, animal magnetism, and Daoist medicine. And their inquiries helped establish a new approach to the global history of science.

Rich with new archival research and fascinating anecdotes, A Global Enlightenment deconstructs two common assumptions about the early to late modern period. Though historians have held that the idea of a mysterious and inscrutable East was inherent in Enlightenment progress theory, Statman argues that it was the orphans of the Enlightenment who put it there: by identifying China as a source of ancient wisdom, they turned it into a foil for scientific development. But while historical consensus supposes that non-Western ideas were banished from European thought over the course of the Enlightenment, Statman finds that Europeans became more interested in Chinese science—as a precursor, then as an antithesis, and finally as an alternative to modernity.

Alexander Statman is a Distinguished Scholar and JD candidate at the UCLA School of Law and a former A.W. Mellon Postdoctoral Fellow at the University of Wisconsin-Madison

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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The global battle among the three dominant digital powers―the United States, China, and the European Union―is intensifying. All three regimes are racing to regulate tech companies, with each advancing a competing vision for the digital economy while attempting to expand its sphere of influence in the digital world. In Digital Empires: The Global Battle to Regulate Technology (Oxford UP, 2023), her provocative follow-up to The Brussels Effect, Anu Bradford explores a rivalry that will shape the world in the decades to come.

Across the globe, people dependent on digital technologies have become increasingly alarmed that their rapid adoption and transformation have ushered in an exceedingly concentrated economy where a few powerful companies control vast economic wealth and political power, undermine data privacy, and widen the gap between economic winners and losers. In response, world leaders are variously embracing the idea of reining in the most dominant tech companies. Bradford examines three competing regulatory approaches―the American market-driven model, the Chinese state-driven model, and the European rights-driven regulatory model―and discusses how governments and tech companies navigate the inevitable conflicts that arise when these regulatory approaches collide in the international domain. Which digital empire will prevail in the contest for global influence remains an open question, yet their contrasting strategies are increasingly clear.

Digital societies are at an inflection point. In the midst of these unfolding regulatory battles, governments, tech companies, and digital citizens are making important choices that will shape the future ethos of the digital society. Digital Empires lays bare the choices we face as societies and individuals, explains the forces that shape those choices, and illuminates the immense stakes involved for everyone who uses digital technologies.

Jake Chanenson is a computer science Ph.D. student and law student at the University of Chicago. Broadly, Jake is interested in topics relating to HCI, privacy, and tech policy. Jake’s work has been published in top venues such as ACM’s CHI Conference on Human Factors in Computing Systems.

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