In this episode of the Language on the Move Podcast, Dr Alexandra Grey speaks with Zoe Avery, a Worimi woman and a Research Officer at the Centre for Australian Languages within the Australian Institute for Aboriginal and Torres Strait Islander Studies (AIATSIS). Zoe and her teammates are preparing the upcoming 4th National Indigenous Languages Survey. This time around, the AIATSIS team have made some really important changes to the survey design through a co-design process which we will discuss. The survey will be conducted in late 2025 to 2026 and reported upon in 2026.
For additional resources, show notes, and transcripts, go here.
In Indigenizing Japan: Ainu Past, Present, and Future(University of Arizona Press, 2025), archaeologist Joe E. Watkins provides a comprehensive look at the rich history and cultural resilience of the Ainu, the Indigenous people of Hokkaido, Japan, tracing their journey from ancient times to their contemporary struggles for recognition.
Relaying the deep history of the islands of Japan, Watkins tells the archaeological story from the earliest arrivals some 40,000 years ago to 16,000 years ago when local cultures began utilizing pottery and stone tools. About 2,300 years ago, another group of people immigrated from the Korean peninsula into the Japanese archipelago, bringing wet rice agriculture with them. They intermarried with the people who were there, forming the basis of the contemporary Japanese majority culture. As the Japanese state developed on the central Islands of Honshu, Ryukyu, and Shikoku, the people of Hokkaido continued developing along a different trajectory with minimal interaction with the mainland until colonization in the mid-nineteenth century, when the people known as the Ainu came under Japanese governmental policy.
Watkins's insightful analysis highlights the Ainu's enduring spirit and their resurgence as part of the global Indigenous movement. Key events such as the 1997 Nibutani Dam case and the 2007 recognition of the Ainu as Japan's Indigenous people are explored in depth, showcasing the Ainu's ongoing fight for cultural preservation and self-determination. By situating the Ainu's experiences within broader global colonial histories, Indigenizing Japan underscores the shared struggles and resilience of Indigenous communities worldwide.
Joe E. Watkins is a senior consultant for Archaeological and Cultural Education Consultants (ACE Consultants), based in Tucson, Arizona. His study interests concern the ethical practice of anthropology and anthropology's relationships with descendant communities and populations on a global scale.
If you recently lost your job—or think you might lose it soon—Laura Brown and Kristina O'Neill are here to help! On this episode of How To!, Carvell Wallace talks to the authors of All the Cool Girls Get Fired about what to do when you get the ax—and how to turn termination into a real opportunity.
If you liked this conversation, check out the Slate podcast Death, Sex & Money’s recent episode on “Why Job Hunting Feels So Grim Lately, Especially for Gen Z.”
Looking for a different kind of career advice? Send us a note at howto@slate.com or leave us a voicemail at 646-495-4001 and we might have you on the show. Subscribe for free on Apple, Spotify or wherever you listen.
The show is produced by Rosemary Belson and Sophie Summergrad. Our technical director is Merritt Jacob and our supervising producer is Joel Meyer.
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Christine Brown Woolley grew up in Utah with a dad and two moms, in a polygamist community called the Apostolic United Brethren. When she became an adult, she joined a polygamist marriage as a third wife, helped raise more than a dozen kids, and became co-star of the TLC reality show Sister Wives.
Fast forward to 2025, and she has left her marriage and her polygamist faith. This week, she talks to Anna about the pros and cons of her former lifestyle, how being on a reality show helped her family to confront and process conflicts, and why she’s so happy being re-married and monogamous. Her new memoir is Sister Wife: A Memoir of Faith, Family, and Finding Freedom.
This episode was produced by Cameron Drews.
Get more Death, Sex & Money with Slate Plus! Join for exclusive bonus episodes of DSM and ad-free listening on all your favorite Slate podcasts. Subscribe from the Death, Sex & Money show page on Apple Podcasts or Spotify. Or, visit slate.com/dsmplus to get access wherever you listen.
If you’re new to the show, welcome. We’re so glad you’re here. Find us and follow us on Instagram and you can find Anna’s newsletter at annasale.substack.com. Our email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com.
Emily Bazelon talks with Yale law professor John Witt about his new book The Radical Fund: How a Band of Visionaries and a Million Dollars Upended America. They explore the remarkable story of the Garland Fund—a small 1920s foundation that bankrolled early work by A. Philip Randolph, and others who would go on to shape the civil rights and labor movements.
Witt traces how the fund connected race and class politics, supported the intellectual groundwork for Brown v. Board of Education, and anticipated today’s challenges around misinformation, inequality, and political disconnection. He and Bazelon also discuss what lessons progressives might take from this forgotten story of organizing during political exile.
Tweet us your questions @SlateGabfest or email us at gabfest@slate.com. (Messages could be quoted by name unless the writer stipulates otherwise.)
Contemporary women are primal-screaming and hitting rage rooms, but are these really the solutions to our personal and political anger? On this episode of How To!, Courtney Martin talks with Soraya Chemaly, journalist and author of Rage Becomes Her: The Power of Women’s Anger, about her own recent upsurge of anger. Soraya explains how to identify, understand, and harness what’s bottled up inside you—and use it for change.
Do you have a problem that needs solving? Send us a note at howto@slate.com or leave us a voicemail at 646-495-4001 and we might have you on the show. Subscribe for free on Apple, Spotify, or wherever you listen.
The show is produced by Rosemary Belson, with Sophie Summergrad. Our technical director is Merritt Jacob and our supervising producer is Joel Meyer.
Get more of How To! with Slate Plus! Join for exclusive bonus episodes of How To! and ad-free listening on all your favorite Slate podcasts. Subscribe from the How To! show page on Apple Podcasts or Spotify. Or, visit slate.com/howtoplus for access wherever you listen.
The product of years of embedded fieldwork within Indigenous film crews in Northwestern Australia, Dreaming Down the Track: Awakenings in Aboriginal Cinema (U Minnesota Press, 2025) delves deeply into Aboriginal cinema as a transformative community process. It follows the social lives of projects throughout their production cycles, from planning and editing to screening, broadcasting, and after-images. Across its narrative sweep, this ethnography engages the film career of Kukatja elder Mark Moora to demonstrate the impact of filmmaking on how Aboriginal futures are collectively imagined and called forth.
William Lempert highlights a series of awakenings through which Moora ultimately came to view cinema as a process for catalyzing his family’s return to their home country of Mangkayi. This biographical media journey paints an intimate portrait of the inspiring possibilities and sobering limitations of Indigenous envisioning within settler states. Lempert traces how Moora’s life and films convey a multiplicity of Aboriginal experiences across time and space, from colonial contact to contemporary life in communities like Balgo, including the continued governmental attempts to undermine them.
Amid ongoing negotiations to establish the first treaties between Indigenous nations and Australian states, Dreaming Down the Track illustrates what is at stake in how Aboriginal–State relations are represented and understood, both within communities and for the broader public. Lempert stays true to Moora’s insight that film can preserve community stories for generations to come, toward the aim of enacting sovereign futures.
William Lempert is Osterweis Family Associate Professor of anthropology at Bowdoin College. His writing has been published in several journals, including Cultural Anthropology and American Indian Culture and Research Journal.
Reighan Gillamis Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
In the new movie Sovereign, actor Nick Offerman plays an extremist who doesn’t believe in the legitimacy of the Federal government. In real life, Nick comes from a small-town political family. His father is the mayor of Minooka, Illinois, and his uncle is on the village board. In this episode Nick talks about choosing roles, how he’s different from his family, his love of teaching woodworking and the profound influence of poet Wendell Berry.
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And if you’re new to the show, welcome. We’re so glad you’re here. Find us and follow us on Instagram and you can find Anna’s newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com.
Harriett is joined by Silvia Moreno-Garcia to discuss her chilling bestseller Mexican Gothic.
The story begins when Noemí Taboada, a glamorous socialite from 1950s Mexico City, receives a desperate letter from her cousin Catalina, claiming her new husband is poisoning her. Unsure if Catalina is mad or truly in danger, Noemí rushes to High Place - a decaying English manor transplanted to the Mexican mountains. But is she to be the rescuer, or the unwitting prey of the evil that festers in the bones of the house? High Place, and its inhabitants, want Noemí, and it will take all her courage and ingenuity to save her cousin, and herself. A masterful blend of gothic suspense, startlingly vivid imagery and dark romance, Mexican Gothic has sparked intense fascination from readers around the world - and Silvia Moreno-Garcia will be answering questions from our global audience of book lovers. Why is Gothic literature seeing a resurgence in the 21st century? How does horror allow us to explore themes of colonialism and sexual violence? And where is the very real cemetery that inspired the setting of High House?
Ice animates the look and feel of climate change. It is melting faster than ever before, causing social upheaval among northern coastal communities and disrupting a more southern, temperate world as sea levels rise. Economic, academic, and activist stakeholders are increasingly focused on the unsettling potential of ice as they plan for a future shaped by rapid transformation.
Yet, in Ice Geographies: The Colonial Politics of Race and Indigeneity in the Arctic (Duke UP, 2025), Jen Rose Smith demonstrates that ice has always been at the center of making sense of the world. Ice as homeland is often at the heart of Arctic and sub-Arctic ontologies, cosmologies, and Native politics. Reflections on ice have also long been a constitutive element of Western political thought, but it often privileges a pristine or empty “nature” stripped of power relations.
Smith centers ice to study race and indigeneity by investigating ice relations as sites and sources of analysis that are bound up with colonial and racial formations as well as ice geographies beyond those formations. Smith asks, How is ice a racialized geography and imaginary, and how does it also exceed those frameworks?
Works mentioned in the episode:
Darcie Bernhardt, an Inuvialuk/Gwichin artist from Tuktuyaaqtuuq whose work is on the cover of Jen Rose Smith’s book, Ice Geographies.
Jen Rose Smith is an Assistant Professor of American Indian Studies and Geography at the University of Washington. She is a dAXunhyuu (Eyak, Alaska Native) geographer interested in the intersections of coloniality, race, and indigeneity.
Chrystel Oloukoï is an Assistant Professor of Geography at the University of Washington, Seattle. Their upcoming manuscript, black nocturnal explores imaginations of the night in Lagos and the afterlives of colonial technologies of temporal discipline.
