Category: 3-BookTalkSometimeCommentary

If you have spent a bit of time in Germany or with German friends, you may have noticed the deep interest and affinity many Germans have for American Indians. What are the origins of this striking and enduring fascination? In many ways, it might be said to go back to Tacitus’ Germania – or at least, to 19th-century Germans’ readings of Germania – but it was also indelibly shaped by the writings of explorer Alexander von Humboldt and by James Fenimore Cooper’s Leatherstocking Tales, which were enormously influential in Germany and on Germans abroad. German landscape painters also created some of the most enduring and iconic images of the American West. When Germans in America fought with American Indians over land, their compatriots in Europe tended to side with the Indians. Later, over the successive ruptures of 20th century German history, Germans always found new ways of engaging with American Indians, whether through hobbyist organizations, Wild West shows, through their political commitments to Indian political causes – like the American Indian Movement – or through the astoundingly popular novels of Karl May.

Exploring with great verve the transnational connections between various groups of Germans and Native Americans over two centuries, H. Glenn Penny‘s Kindred by Choice: Germans and American Indians since 1800 (University of North Carolina Press, 2013) engages in a wide-ranging set of discussions that open up new and unexpected vistas onto questions of modern German history, the history of European and American colonialism, histories and legacies of genocide, and a host of other key topics.

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World Book Club talks to the chronicler of 21st Century urban Australia Christos Tsiolkas. He talks to Harriett Gilbert about his controversial, award-winning novel The Slap which has polarised opinion in his native country and across the globe. In it he presents an apparently minor domestic incident, when a man smacks a badly behaved child, from eight very different perspectives and examines how its aftermath reverberates through the lives and communities of everyone who witnesses it happen.

(Photo: Christos Tsiolkas)

Slate critics Dan Kois, Emily Bazelon, and David Haglund discuss James McBride’s National Book Award winning novel about slavery and John Brown.

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This month World Book Club is in a reflective mood as we mark the beginning of the centenary commemorations for World War One by inviting multi-award-winning British writer Pat Barker on to the programme.

She'll be talking to us about her internationally renowned novel Regeneration, the first in the trilogy which culminated in the Booker Prize winner The Ghost Road.

Also shortlisted for the Booker Prize and now recognised, twenty-two years after its publication, as a modern war classic, Regeneration is a part-historical, part-fictional exploration of how the traumas of war brutalised a generation of young men.

Picture: WW1 patients recuperating in hospital in 1918, Credit: Topical Press Agency/Getty Images

Prize-winning author Brian Aldiss, the grand old man of British science fiction writing, talks about his 1964 classic sci-fi novel Greybeard.

Set decades after the Earth's population has been sterilised as a result of nuclear bomb tests in space, the world is gradually emptying of humans. The remaining ageing, childless population are left to face the fact that there is no younger generation coming to replace them. Instead, nature is reclaiming the earth and Greybeard and his clan wander this strange new and dangerous land searching out a place of safety to grow ever older in.

(Photo: Brian Aldiss, courtesy of Brian)

Slate critics Dan Kois, Hanna Rosin, and Meghan O’Rourke discuss Donna Tartt’s big literary adventure novel.

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Is genetic testing a new national obsession? From reality TV shows to the wild proliferation of home testing kits, there’s ample evidence it might just be. And among the most popular tests of all is for so-called “Native American DNA.”

All of this rests upon some uninterrogated (and potentially destructive) assumptions about race and human “origins,” however. In Native American DNA: Tribal Belonging and the False Promise of Genetic Science (University of Minnesota Press, 2013), Kim TallBear asks what’s at stake for Indigenous communities and First Nations when the premises of this ascendant science are put into practice.

TallBear, an Associate Professor of Anthropology at the University of Texas-Austin and enrolled Sisseton-Wahpeton Oyate, conducted years of research on the politics of “human genome diversity,” decoding the rhetoric of scientists, for-profit companies, and public consumers. The result is a vital and provocative work, tracing lineages between racial science and genetic testing, “blood talk” and “DNA talk,” and the undemocratic culture of a field which claims it can deliver us from racism.

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Slate critics Dan Kois, Hanna Rosin, and Forrest Wickman discuss Thomas Pynchon's mystery set in the New York tech world around 9/11.

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One hundred years after his birth this month’s World Book Club, will be discussing Albert Camus' seminal novel The Outsider with his acclaimed biographer Oliver Todd, and Professor of French at Sheffield University, David Walker. And appropriately the programme comes from the heart of the Left Bank of Paris to hear from them – at the world famous bookshop Shakespeare and Company overlooking Notre Dame. Here an eager audience gathers in the upstairs attic room where aspiring novelists are regularly to be found sleeping off their exertions in quiet alcoves.

As well as questions from the audience in the bookshop and from our wider audience abroad World Book Club also hears from feted writers from around the world explaining why they think this most startling tale of sun, sea, sand and murder is still one of the great classic novels of our age.

To complement this edition of World Book Club you can listen to a BBC drama of The Outsider and also to The Insider, a new play imagining the story of the silent Algerian characters that appear in Camus’ novel.

Picture: Kurt Hutton/Picture Post/Getty Images.

Slate critics David Haglund, Emily Bazelon, and Meghan O’Rourke discuss Orson Scott Card’s science fiction classic.

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