Category: 3-BookTalkSometimeCommentary

Emily Bazelon, Hanna Rosin, and special guest novelist Amy Bloom discuss Sue Miller's The Good Mother on the novel's 25th anniversary.

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Harriett Gilbert talks to acclaimed British writer Penelope Lively about her Booker Prize winning novel Moon Tiger.

A haunting tale of loss, loneliness and secret desires Moon Tiger is the kaleidoscopic story of maverick historian Claudia Hampton.

Telling nurses on her death bed that she will write a "history of the world and in the process my own," she charts her intensely-lived life from her childhood in England after World War I to the war-torn desert plains of Egypt, 30 years later – and beyond.

Egocentric and condescending as well as vulnerable and gutsy, Claudia is a complex heroine for our times who lingers in the mind long after you put the book down.

(Image: Penelope Lively. Copyright: Penguin)

For the past half century, Alcoholics Anonymous and its 12-step recovery program has been the dominant method for treating alcohol abuse in the United States. Reservation communities have been no exception. But as Erica Prussing vividly describes in her new book,White Man’s Water: The Politics of Sobriety in a Native American Community (University of Arizona Press, 2011), a one-size-fits-all approach to treatment does not, in fact, fit all.

An assistant professor of anthropology and community and behavior health at the University of Iowa, Prussing lived for three years on the Northern Cheyenne Reservation in Montana, working with community organizations, building long-lasting relationships, and gathering testimonies of alcohols’ often disruptive impacts on the lives of many Northern Cheyenne. While many young women have embraced the 12-step program, others – particularly of the older generation – find its moral assumptions foreign and unhelpful. What emerges from Prussing’s account is not a reductive and totalizing “Cheyenne culture” but rather a complex negotiation of tradition, community, and recovery in the face of persistent colonial challenges. This nuance and attention to detail makes Prussing’s call for indigenous self-determination in health care all the more powerful.

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Harriett Gilbert talks to acclaimed Israeli writer David Grossman about his award-winning novel, To the End of the Land.

Winner of - amongst others - the Wingate Jewish Book Prize for 2012, To the End of the Land is a novel of extraordinary power and lyrical intensity about the power of love and the devastating cost of war.

Instead of celebrating her son Ofer’s discharge from the Israeli Army, Ora is appalled when he reenlists and is sent back to the front for a major offensive. Unable to bear the thought of sitting alone waiting for the ‘notifiers’ to bring her bad news, she sets off on a hike across Israel with Ofer’s biological father who has never met his son and has has lived in near-seclusion since being tortured as a prisoner in the Yom Kippur war three decades before.

Photo credit: Reuters

Slate editors discuss Helen Schulman's "This Beautiful Life," a new novel about a video that goes viral and ruins the lives of two teenagers at a posh New York City private school.

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“The history of Oklahoma is a history of movement, possession, and dispossession. It is American history told in fast-foward,” writes historian David A. Chang in the introduction to The Color of the Land: Race, Nation, and the Politics of Landownership in Oklahoma, 1832-1929 (University of North Carolina Press, 2010). “It captures the dynamics of global history in the middle of a continent.”

As a lifelong East-Coaster, I admit this initially struck me as a little hyperbolic. Oklahoma may indeed be fertile ground for scholars, particularly in Native American Studies, but American history in fast-forward? The dynamics of global history? These are concepts not generally associated in popular discourse with the Sooner state; certainly not for a New Yorker like myself.

David Chang has exploded my coastal arrogance. In this intellectual tour-de-force and gripping historical narrative, Chang illustrates how in the aftermath of the Creek Nation’s forced removal from the Southeast to Oklahoma, conflicts over landownership – present in every region but magnified in Indian Territory-cum-Oklahoma before and after the devastation of the Civil War and the Dawes Allotment Act – provided the central staging ground for a complicated and often surprising formation of racial and national identities. From Creek’s struggle to maintain their national coherence against a colonial onslaught, to African American settlers seeking new opportunities in the land-rich West, to the agrarian radicalism of the early 20th century and the violent counterrevolution of white supremacy, Oklahoma indeed captures the dynamics of history. The Color of the Land shows exactly how.

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With the international release of the much anticipated film of We Need To Talk about Kevin in October, here's another chance to catch the World Book Club in which Harriett Gilbert and a studio audience talk to acclaimed American writer Lionel Shriver about this searing novel.

Winner of the Orange Prize for Fiction in 2005, We Need To Talk about Kevin is the profoundly disturbing story of a boy who, shortly before his 16th birthday, kills seven classmates in a high school massacre.

Grippingly but unreliably narrated through the letters of his mother Eva to his absent father Franklin, the novel raises questions about culpability, the limits of maternal love and the nature of evil itself.

For Slate's September Audio Book club, Yale art historian and architect Kishwar Rizvi joins Emily Bazelon and Hanna Rosin to discuss The Submission, Amy Waldman's novel about memorializing 9/11.

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Harriett Gilbert talks to Hisham Matar about his stunning debut novel In The Country Of Men.

Set in the bewildering world of Tripoli, it is the emotional tale of a young boy growing up, where fears, secrets and betrayal threaten the ties of family and friendship.

The novel was shortlisted for the 2006 Booker Prize.

Cathleen D. Cahill’s groundbreaking new work, Federal Fathers and Mothers: A Social History of the United States Indian Service, 1869-1933 (UNC Press, 2011), lives up to the title: it is a social history in the best sense of the term. Paying close attention to the people who carried out federal Indian policy “on the ground,” Cahill uncovers a world of ambivalence, hubris and resistance in the usually monolithic story of Westward expansion and forced assimilation.

Cahill introduces us to fascinating characters like Minnie Braithwaite, a daughter of Virginia’s upper class, who defied her family’s wishes and headed out West and “teach the Indian.” And then there’s Esther Burnett Horne, a Shoshone woman fought colonialism even as she worked as an instructor for the Indian Service. “I wanted to provide [my students] with the same security and sense of self that my Indian teachers…had instilled in me,” she wrote. Indeed, the role of American Indian labor in the Indian Service is one of the most surprising and important chapters in Cahill’s work.

While Cahill carefully describes the details of federal policy  (the “intimate colonialism” which characterized so much of the Indian Service’s work), she does not eschew bigger questions. By placing the Indian Service in the broader narrative of American political development, Cahill emphasizes the centrality of the federal assimilation campaign to the creation of the modern American welfare state. In Federal Fathers and Mothers, Cahill has balanced micro and macro and, in so doing, realized much of the promise of social history.

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