This week, host June Thomas talks to poet Chip Livingston, who recently compiled a collection of letters titled, Love, Loosha: The Letters of Lucia Berlin and Kenward Elmslie. It documents the friendship between the writer Lucia Berlin, who is now well-regarded for her short stories but was underappreciated during her lifetime, and the poet and librettist Kenward Elmslie. In the interview, Chip shares how he put the collection together and talks about his personal relationships with both Berlin and Elmslie. He also explains how the book can serve as a useful depiction of what it’s like to live as an artist.
After the interview, June and co-host Isaac Butler talk more about what we can learn from the letters of great writers. They also discuss overly confessional writing and how to determine the audience for your work.
In the exclusive Slate Plus segment, Chip talks about how his love of poetry blossomed in part thanks to his friendship with Kenward Elmslie.
Do you have a question about creative work? Call us and leave a message at (304) 933-9675 or email us at working@slate.com.
Podcast production by Cameron Drews.
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Headlines suggest that Haiti could be on the verge of collapse, with gangs controlling its streets, the economy at a standstill, and political leaders fearing for their lives. But while international observers decry it as a “failed nation,” Haiti’s path to success has been consistently blocked since its successful slave rebelion in 1804. On today’s episode of A Word, Jason Johnson is joined by Professor Leslie Alexander, author “Fear of a Black Republic: Haiti and the Birth of Black Internationalism in the United States.“
Guest: Historian Leslie Alexander, the Dr. Martin Luther King, Jr. Professor of History at Rutgers University
Podcast production by Kristie Taiwo-Makanjuola
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Today’s book is: The Diné Reader: An Anthology of Navajo Literature, which is the 2022 Before Columbus Foundation American Book Award Winner. The Diné Reader showcases the breadth, depth, and diversity of Diné creative artists and their poetry, fiction, and nonfiction prose, in a wide-ranging anthology. The collected works display a rich variety of and creativity in themes: home and history; contemporary concerns about identity, historical trauma, and loss of language; and economic and environmental inequalities. The Diné Reader developed as a way to demonstrate both the power of Diné literary artistry and the persistence of the Navajo people. The volume opens with a foreword by poet Sherwin Bitsui, who offers insight into the importance of writing to the Navajo people. The editors then introduce the volume by detailing the literary history of the Diné people, establishing the context for the tremendous diversity of the works that follow, which includes free verse, sestinas, limericks, haiku, prose poems, creative nonfiction, mixed genres, and oral traditions reshaped into the written word. This volume combines an array of literature with illuminating interviews, biographies, and photographs of the featured Diné writers and artists. A valuable resource to educators, literature enthusiasts, and beyond, this anthology is a much-needed showcase of Diné writers and their compelling work. The volume also includes a chronology of important dates in Diné history by Jennifer Nez Denetdale, as well as resources for teachers, students, and general readers by Michael Thompson. The Diné Reader is an exciting convergence of Navajo writers and artists with scholars and educators.
Our guest is: Esther G. Belin, who is a Diné multimedia artist and writer, and a faculty mentor in the Low Rez MFA program at the Institute for American Indian Arts. She graduated from the Institute of American Indian Arts and the University of California, Berkeley. Her poetry collection From the Belly of My Beauty won the American Book Award from the Before Columbus Foundation. Her latest collection is Of Cartography: Poems.
Our co-guest is: Jeff Berglund, who is the director of the Liberal Studies Program and a professor of English at Northern Arizona University in Flagstaff, Arizona, where he has worked since 1999. Dr. Berglund’s research and teaching focuses on Native American literature, comparative Indigenous film, and U.S. multi-ethnic literature. His books include Indigenous Pop: Native American Music from Jazz to Hip Hop (co-editor), and Indigenous Peoples Rise Up: The Global Ascendancy of Social Media Activism (co-editor).
Our host is: Dr. Christina Gessler, a historian of women and gender.
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Welcome to The Academic Life! Join us here each week, where we learn directly from experts. We embrace the broad definition of what it means to lead an academic life, and are informed and inspired by today’s knowledge-producers working inside and outside the academy.
In the early twenty-first century Bolivian social movements made streets, plazas, and highways into the decisively important spaces for acting politically, rivaling and at times exceeding voting booths and halls of government. The Sovereign Street documents this important period, showing how indigenous-led mass movements reconfigured the politics and racial order of Bolivia from 1999 to 2011.
Drawing on interviews with protest participants, on-the-ground observation, and documentary research, activist and scholar Carwil Bjork-James provides an up-close history of the indigenous-led protests that changed Bolivia. At the heart of the study is a new approach to the interaction between protest actions and the parts of the urban landscape they claim. These “space-claiming protests” both communicate a message and exercise practical control over the city. Bjork-James interrogates both protest tactics—as experiences and as tools—and meaning-laden spaces, where meaning is part of the racial and political geography of the city.
Taking the streets of Cochabamba, Sucre, and La Paz as its vantage point, The Sovereign Street: Making Revolution in Urban Bolivia(U Arizona Press, 2020) offers a rare look at political revolution as it happens. It documents a critical period in Latin American history, when protests made headlines worldwide, where a generation of pro-globalization policies were called into question, and where the indigenous majority stepped into government power for the first time in five centuries.
Brad Wright is a historian of Latin America specializing in postrevolutionary Mexico. He teach world history at Kennesaw State University currently. PhD in Public History with specialization in oral history.
This week, host Isaac Butler talks to Ali Slagle, a recipe developer for the New York Times cooking section and author of the book I Dream of Dinner (so You Don't Have To). In the interview, Ali shares where her ideas for recipes come from and her trial-and-error process for getting them just right. She also talks about her commitment to convenience and explains what it was like to develop recipes for her book that require only a handful of ingredients and take 45 minutes or less to prepare.
After the interview, Isaac and co-host Karen Han talk more about recipe development and discuss what it’s like to have too many options in front of you when you’re working on a creative project.
In the exclusive Slate Plus segment, Ali offers a glimpse into the world of food styling.
Do you have a question about creative work? Call us and leave a message at (304) 933-9675 or email us at working@slate.com.
Podcast production by Cameron Drews.
If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you’ll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work.
It’s been two years since the January 6th riot at the US Capitol in Washington DC. Over 900 people have been criminally charged, but political violence continues to be a threat. Well, here at How To!, we are not content to just marinate in fear and blame so we’re dedicating two episodes to see how we can prevent more tragedies like January 6. In our first episode, we bring on Dr. Rachel Kleinfeld, senior fellow at the Carnegie Endowment for International Peace where she focuses on the intersection of democracy and security. She explains how the US has gotten to this point, how we should productively grapple with January 6, and why we’re not as close to the brink of civil war as it may seem. Next week, we’ll hear from Curtis Toler, a former Chicago gang member who is now a violence interrupter.
Do you have a question without an answer? Send us a note at howto@slate.com or leave us a voicemail at 646-495-4001 and we might have you on the show. Subscribe for free on Apple, Spotify or wherever you listen.
Podcast production by Derek John, Rosemary Belson, and Kevin Bendis.
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The future of Honduras begins and ends on the white sand beaches of Tela Bay on the country's northeastern coast where Garifuna, a Black Indigenous people, have resided for over two hundred years. In The Ends of Paradise: Race, Extraction, and the Struggle for Black Life in Honduras(Stanford UP, 2022), Christopher A. Loperena examines the Garifuna struggle for life and collective autonomy, and demonstrates how this struggle challenges concerted efforts by the state and multilateral institutions, such as the World Bank, to render both their lands and their culture into fungible tourism products. Using a combination of participant observation, courtroom ethnography, and archival research, Loperena reveals how purportedly inclusive tourism projects form part of a larger neoliberal, extractivist development regime, which remakes Black and Indigenous territories into frontiers of progress for the mestizo majority. The book offers a trenchant analysis of the ways Black dispossession and displacement are carried forth through the conferral of individual rights and freedoms, a prerequisite for resource exploitation under contemporary capitalism.
By demanding to be accounted for on their terms, Garifuna anchor Blackness to Central America—a place where Black peoples are presumed to be nonnative inhabitants—and to collective land rights. Steeped in Loperena's long-term activist engagement with Garifuna land defenders, this book is a testament to their struggle and to the promise of "another world" in which Black and Indigenous peoples thrive.
Christopher A. Loperena is Associate Professor of Anthropology at the Graduate Center, City University of New York. You can find the article discussed during this conversation, published in American Anthropologist, here.
A Passage North explores the impact of the vicious Sri Lankan civil war between Tamil and Sinhalese which tore Sri Lanka apart for two and a half decades before a fragile ceasefire was finally reached in 2009. When Krishan learns that his grandmother’s former carer Rani has died he makes the long journey north to attend the funeral across a country still traumatised and scarred by its recent past.
Written with precision and grace, A Passage North is a poignant memorial for the missing and the dead, and an unsettling meditation on what it means to have observed the war from afar rather than to have been personally caught up in its horrors.
(Picture: Anuk Arudpragasam. Photo credit: Ruvin De Silva.)
