Feeling down about museums? We have so many reasons to, but Chris Newell, Tribal Community Member-in-Residence at UConn and Director of Education at the Akomawt Educational Initiative, gives a dose of optimism about the future of museums.
Learn more about the Seeing Truth exhibition at our website.
On this week’s episode of The Waves, Slate senior producer Cheyna Roth is joined by author and Slate editor Dan Kois to talk about men writing women. Dan’s new book, Vintage Contemporaries, is the coming of age story of Em and the two women who had a meaningful impact on her life. Dan and Cheyna talk about how Dan wrote true to life female characters without falling into the #menwritewomen trap, why he told a story with female characters, and how to navigate the tricky world of writing characters of the opposite sex.
This week, host June Thomas talks to poet Chip Livingston, who recently compiled a collection of letters titled, Love, Loosha: The Letters of Lucia Berlin and Kenward Elmslie. It documents the friendship between the writer Lucia Berlin, who is now well-regarded for her short stories but was underappreciated during her lifetime, and the poet and librettist Kenward Elmslie. In the interview, Chip shares how he put the collection together and talks about his personal relationships with both Berlin and Elmslie. He also explains how the book can serve as a useful depiction of what it’s like to live as an artist.
After the interview, June and co-host Isaac Butler talk more about what we can learn from the letters of great writers. They also discuss overly confessional writing and how to determine the audience for your work.
In the exclusive Slate Plus segment, Chip talks about how his love of poetry blossomed in part thanks to his friendship with Kenward Elmslie.
Do you have a question about creative work? Call us and leave a message at (304) 933-9675 or email us at working@slate.com.
Podcast production by Cameron Drews.
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Headlines suggest that Haiti could be on the verge of collapse, with gangs controlling its streets, the economy at a standstill, and political leaders fearing for their lives. But while international observers decry it as a “failed nation,” Haiti’s path to success has been consistently blocked since its successful slave rebelion in 1804. On today’s episode of A Word, Jason Johnson is joined by Professor Leslie Alexander, author “Fear of a Black Republic: Haiti and the Birth of Black Internationalism in the United States.“
Guest: Historian Leslie Alexander, the Dr. Martin Luther King, Jr. Professor of History at Rutgers University
Podcast production by Kristie Taiwo-Makanjuola
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Today’s book is: The Diné Reader: An Anthology of Navajo Literature, which is the 2022 Before Columbus Foundation American Book Award Winner. The Diné Reader showcases the breadth, depth, and diversity of Diné creative artists and their poetry, fiction, and nonfiction prose, in a wide-ranging anthology. The collected works display a rich variety of and creativity in themes: home and history; contemporary concerns about identity, historical trauma, and loss of language; and economic and environmental inequalities. The Diné Reader developed as a way to demonstrate both the power of Diné literary artistry and the persistence of the Navajo people. The volume opens with a foreword by poet Sherwin Bitsui, who offers insight into the importance of writing to the Navajo people. The editors then introduce the volume by detailing the literary history of the Diné people, establishing the context for the tremendous diversity of the works that follow, which includes free verse, sestinas, limericks, haiku, prose poems, creative nonfiction, mixed genres, and oral traditions reshaped into the written word. This volume combines an array of literature with illuminating interviews, biographies, and photographs of the featured Diné writers and artists. A valuable resource to educators, literature enthusiasts, and beyond, this anthology is a much-needed showcase of Diné writers and their compelling work. The volume also includes a chronology of important dates in Diné history by Jennifer Nez Denetdale, as well as resources for teachers, students, and general readers by Michael Thompson. The Diné Reader is an exciting convergence of Navajo writers and artists with scholars and educators.
Our guest is: Esther G. Belin, who is a Diné multimedia artist and writer, and a faculty mentor in the Low Rez MFA program at the Institute for American Indian Arts. She graduated from the Institute of American Indian Arts and the University of California, Berkeley. Her poetry collection From the Belly of My Beauty won the American Book Award from the Before Columbus Foundation. Her latest collection is Of Cartography: Poems.
Our co-guest is: Jeff Berglund, who is the director of the Liberal Studies Program and a professor of English at Northern Arizona University in Flagstaff, Arizona, where he has worked since 1999. Dr. Berglund’s research and teaching focuses on Native American literature, comparative Indigenous film, and U.S. multi-ethnic literature. His books include Indigenous Pop: Native American Music from Jazz to Hip Hop (co-editor), and Indigenous Peoples Rise Up: The Global Ascendancy of Social Media Activism (co-editor).
Our host is: Dr. Christina Gessler, a historian of women and gender.
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Welcome to The Academic Life! Join us here each week, where we learn directly from experts. We embrace the broad definition of what it means to lead an academic life, and are informed and inspired by today’s knowledge-producers working inside and outside the academy.
In the early twenty-first century Bolivian social movements made streets, plazas, and highways into the decisively important spaces for acting politically, rivaling and at times exceeding voting booths and halls of government. The Sovereign Street documents this important period, showing how indigenous-led mass movements reconfigured the politics and racial order of Bolivia from 1999 to 2011.
Drawing on interviews with protest participants, on-the-ground observation, and documentary research, activist and scholar Carwil Bjork-James provides an up-close history of the indigenous-led protests that changed Bolivia. At the heart of the study is a new approach to the interaction between protest actions and the parts of the urban landscape they claim. These “space-claiming protests” both communicate a message and exercise practical control over the city. Bjork-James interrogates both protest tactics—as experiences and as tools—and meaning-laden spaces, where meaning is part of the racial and political geography of the city.
Taking the streets of Cochabamba, Sucre, and La Paz as its vantage point, The Sovereign Street: Making Revolution in Urban Bolivia(U Arizona Press, 2020) offers a rare look at political revolution as it happens. It documents a critical period in Latin American history, when protests made headlines worldwide, where a generation of pro-globalization policies were called into question, and where the indigenous majority stepped into government power for the first time in five centuries.
Brad Wright is a historian of Latin America specializing in postrevolutionary Mexico. He teach world history at Kennesaw State University currently. PhD in Public History with specialization in oral history.
This week, host Isaac Butler talks to Ali Slagle, a recipe developer for the New York Times cooking section and author of the book I Dream of Dinner (so You Don't Have To). In the interview, Ali shares where her ideas for recipes come from and her trial-and-error process for getting them just right. She also talks about her commitment to convenience and explains what it was like to develop recipes for her book that require only a handful of ingredients and take 45 minutes or less to prepare.
After the interview, Isaac and co-host Karen Han talk more about recipe development and discuss what it’s like to have too many options in front of you when you’re working on a creative project.
In the exclusive Slate Plus segment, Ali offers a glimpse into the world of food styling.
Do you have a question about creative work? Call us and leave a message at (304) 933-9675 or email us at working@slate.com.
Podcast production by Cameron Drews.
If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you’ll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work.