Category: 3-BookTalkSometimeCommentary

For centuries Comanches have captivated imaginations. Yet their story in popular accounts abruptly stops in 1875, when the last free Comanches entered a reservation in southwestern Oklahoma. In Cinematic Comanches: The Lone Ranger in the Media Borderlands (U Nebraska Press, 2022), the first tribal-specific history of Comanches in film and media, Quanah Parker descendant Dustin Tahmahkera examines how Comanches represent themselves and are represented by others in recent media. Telling a story of Comanche family and extended kin and their relations to film, Tahmahkera reframes a distorted and defeated history of Comanches into a vibrant story of cinematic traditions, agency, and cultural continuity.

Co-starring a long list of Comanche actors, filmmakers, consultants, critics, and subjects, Cinematic Comanches moves through the politics of tribal representation and history to highlight the production of Comanchería cinema. From early silent films and 1950s Westerns to Disney’s The Lone Ranger and the story of how Comanches captured its controversial Comanche lead Johnny Depp, Tahmahkera argues that Comanche nationhood can be strengthened through cinema. Tahmahkera’s extensive research includes interviews with elder LaDonna Harris, who adopted Depp during filming in one of the most contested films in recent Indigenous cinematic history. In the fragmented popular narrative of the rise and fall of Comanches, Cinematic Comanches calls for considering mediated contributions to the cultural resurgence of Comanches today.

Joaquín Rivaya-Martínez an associate professor of History at Texas State University.

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Jennifer Egan answers audience questions about her Pulitzer Prize-winning novel A Visit from the Goon Squad. It is a dazzling, exciting book, which plays with form and storytelling traditions. Goon Squad is made up of connected short stories circling around musician and record executive Bennie Salazar, and Sasha, the passionate, troubled young woman he employs. It explores their pasts and catapults them into the future using a rich variety of voices and narrative styles. This special edition of World Book Club, presented by Katherine Lanpher, was recorded at Brooklyn Central Library.

(Photo: Jennifer Egan. Credit: Pieter M. Van Hattem)

On this episode: Zak and Elizabeth are joined by Scott Hershovitz, author of the book Nasty, Brutish and Short: Adventures in Philosophy with My Kids and the director of the Law and Ethics Program and professor of law and philosophy at the University of Michigan. They discuss why you shouldn’t shy away from big questions, how to foster open mindedness in teens, and perhaps the biggest question of all—what’s a “floofer doofer.”

On Slate Plus, they have a round of graduation-themed Triumphs and Fails. Slate Plus members get a bonus segment on MADAF each week, and no ads. Sign up now at slate.com/momanddadplus to listen and support our work.

Recommendations:

Elizabeth recommends the Sipsey Wilder hip pack

Scott recommends Teaching Children Philosophy

Zak recommends Julie’s Library. 

Join us on Facebook and email us at momanddad@slate.com to ask us new questions, tell us what you thought of today’s show, and give us ideas about what we should talk about in future episodes. 

Podcast produced by Rosemary Belson and Jasmine Ellis.

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John Dickerson talks with author Elif Batuman about coming of age as a college student in the 1990’s, and the similarities between herself and her main character in Either/Or, the sequel to The Idiot. 

Tweet us your questions @SlateGabfest or email us at gabfest@slate.com. (Messages could be quoted by name unless the writer stipulates otherwise.)

Podcast production by Cheyna Roth

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This month Bryan, Christina, and Jules explore the intersection of queer life and incarceration. How has America’s prison-loving penal system shaped our history and present, and how does that experience get channeled—or not—into the culture we make and consume? The hosts are joined by Hugh Ryan, author of the new book The Women’s House of Detention: A Queer History of a Forgotten Prison, which uses one infamous mid-century institution in New York’s Greenwich Village to return the overlooked lives of incarcerated women and transmasculine folks to our collective story, and to make a stirring case for prison abolition as a queer issue. Then they discuss how prison shows up in pop culture—and whether they’re entirely comfortable with those fantasies.

Items discussed in the show:

Selling Sunset

Two recent articles on phalloplasty: “How Ben Got His Penis,” by Jamie Lauren Keiles in the New York Times, and “My Penis Myself,” by Gabriel Mac in New York

Original Plumbing

“Madison Cawthorn Thrusting His Naked Body on Another Man’s Face Doesn’t Tell Us Much About His ‘Gayness,’ ” by Bryan in Slate

Not Gay: Sex Between Straight White Men, by Jane Ward

The Women’s House of Detention: A Queer History of a Forgotten Prison, by Hugh Ryan

When Brooklyn Was Queer, by Hugh Ryan

Huey P. Newton’s 1970 speech on the women’s liberation and gay liberation movements

Chained Heat 2

Orange Is the New Black

Gay Agenda

Christina: Great Freedom

Jules: The Vice series Transnational

Bryan: From Gay to Z: A Queer Compendium, by Justin Elizabeth Sayres

This podcast was produced by June Thomas.

Please send feedback, topic ideas, and advice questions to outwardpodcast@slate.com.

 

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Brotherhood to Nationhood: George Manuel and the Making of the Modern Indian Movement (Between the Lines Books, 2020) details the life of George Manuel, a seminal figure in the emergence and development of the modern Indigenous rights movement in Canada. A three-time Nobel Peace Prize nominee, he laid the groundwork for what would become the Assembly of First Nations and was the founding president of the World Council of Indigenous Peoples; an advocacy organization that fights for the rights of Indigenous peoples internationally. A critical reference point for three generation of Indigenous activists and intellectuals, Manuel’s commitment, politics, and vision are now again assessable to a new generation of readers courtesy of Doreen and Peter, and Between the Lines Books in Toronto.

Zachary Smith (Anishinaabe) is a doctoral candidate in the Department of History at the University of Toronto. He researches histories of Indigenous-settler relations in Canada and is currently writing a dissertation on the migration of Indigenous peoples from reserves to urban centres in mid-twentieth century Canada. He can be found on Twitter at: @zacharylwsmith.

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On this week’s episode of The Waves, historian and original Waves host, Marcia Chatelain is joined by sociologist Danielle Lindemann to talk all things reality TV. They discuss Danielle’s new book, True Story: What Reality TV Says About Us and why we don’t take reality television as seriously as we should. Later in the show they talk about why women are more successful at monetizing their reality TV brand and how the genre takes us on a tour of the class system.  

In Slate Plus: Is The Bachelorette feminist? 

Recommendations:

Marcia: The True Crime Obsessed podcast, Let the Women Do the Work

Danielle: The Netflix series Selling Sunset

 

Podcast production by Cheyna Roth with editorial oversight by Shannon Palus and Alicia Montgomery. 

Send your comments and recommendations on what to cover to thewaves@slate.com

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The important new book by Alicia Puglionesi, In Whose Ruins: Power, Possession and the Landscapes of American Empire (Scribner, 2022), is a fat sampler of episodes that show how origin stories get made, what happens when white-supremacist origin stories are mistaken for empirical fact, and how the political impacts persist. The book is decidedly anti-capitalist; resoundingly anti-colonial. It is an invitation not to jettison story-work, but to imagine, collectively, origin stories of the present that might bring into being a more just future.

In Whose Ruins could easily be categorized as Environmental History or Native Studies. But Puglionesi forges a book that is more than either field could accomplish alone. The “power” of the book’s subtitle has a double meeting: political power and the energy sources of a capitalist economy (oil, hydropower, and nuclear energy).

The book is organized into four sections, or “sites,” that visit four evocative land features: a hulking, conical earth mound in present-day West Virginia adjacent to a decommissioned state prison; wells dug into the ground in smalltown Pennsylvania; rocks that tell stories (they’re etched with petroglyphs) along the Susquehanna River with kin fragmented elsewhere; the Sonoran Desert rich with pottery, uranium, and physicists, both white and Native. In each of these sites, people with different political projects—some announced, some implicit—have generated multiple accounts of the landscapes and ideas of value.

Within a context of shifting political power, white-settler stories about each site displaced empirical knowledge of Native labor, skill, presence, and endurance with harmful fables of white origins and of Native communities’ need for white “rescue.” Into the present day, the effect has been to justify white theft of Native land and deadly violence against tribal communities for the purposes of resource extraction. In the end, even the false white origin stories became a resource to commodify.

Puglionesi is a writer of poetry, fiction, academic scholarship, and, now, In Whose Ruins, a mass-market trade publication. She holds a PhD in History of Medicine and is a lecturer in Medicine, Science and Humanities at The Johns Hopkins University. On the page, Puglionesi has a friendly, funny, quiet presence—an affable Where’s Waldo that centers the relationships of historical actors (including spirits) and the work of scholars such as Kim TallBear, Zoe Todd, and Eve Tuck.

This conversation explores ways of living in good relation via writing; the status of truth; the relevance of singer-songwriter Prince for labor studies; and many other themes. It discusses the important book by Chadwick Allen, Earthworks Rising (Minnesota, 2022). In an unrecorded snippet, we also swap names of our favorite local indie bookstores. So check out Red Emma’s the next time you’re in Baltimore, MD (or on Bookshop.org) and Symposium, Riff Raff, and Paper Nautilus when your compass points to Providence, RI.

Laura Stark is Associate Professor at Vanderbilt University’s Center for Medicine, Health, and Society.

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In Affect, Ecofeminism, and Intersectional Struggles in Latin America: A Tribute to Berta Cáceres (Peter Lang, 2020), Irune del Rio Gabiola examines the power of affect in structuring decolonizing modes of resistance performed by social movements such as COPINH (Civic Council of Popular and Indigenous Organizations of Honduras). Despite a harsh legacy of colonialism, indigenous communities continue suffering from territorial displacements, dispossession, and human rights abuses due to extractivist projects that are violently destroying their land and, therefore, the environment. In particular, the Lenca communities in Honduras have been negatively affected by Western ideas of progress and development that have historically eliminated ancestral knowledges and indigenous ecological cosmologies while reinforcing Eurocentrism. Nevertheless, by reflecting on and articulating strategies for resisting neoliberalism, COPINH and its cofounder Berta Cáceres' commitment to environmental activism, ecofeminism, and intersectional struggles has contributed affectively and effectively to the production of democratic encounters in pursuit of social justice. In homage to Berta, who was brutally assassinated for her activism in 2016, this book takes the reader on an affective journey departing from the violent affects experienced by the Lencas due to colonial disruption, contemporary industrialization, and criminalization, towards COPINH's political and social intervention fueled by outrage, resistance, transnational solidarity, care, mourning, and hope. In this way, subaltern actors nurture the power to--in line with Brian Massumi's interpretation of affect--transform necropolitics into natality with the aim of creating a fairer and better world

The host, Elize Mazadiego, is a Marie Skłodowska Curie Fellow at the University of Amsterdam and author of Dematerialization and the Social Materiality of Art: Experimental Forms in Argentina, 1955-1968 (Brill, 2021). She works on Modern and Contemporary art, with a specialization in Latin American art history. 

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On this episode: Elizabeth and Zak are joined by Amber O’Neal Johnston. She’s the author of A Place to Belong: Celebrating Diversity and Kinship in the Home and Beyond and has a blog called Heritage Mom. They talk about how families can celebrate their own identities while learning about and appreciating other people’s races and cultural differences. What does it mean to teach kids about “hard history,” but also celebrate cultural heritage? And, why do so many parents find it difficult to talk about culture and race? 

Recommendations

Elizabeth recommends: Read Aloud Those Kids from Fawn Creek by Erin Entrada Kelly 

Zak recommends: Make your own pesto

Amber recommends: Get a good knife

Resources

A Place to Belong: Celebrating Diversity and Kinship in the Home and Beyond by Amber O’Neal Johnston

Amber’s blog: Heritage Mom

Join us on Facebook and email us at momanddad@slate.com to ask us new questions, tell us what you thought of today’s show, and give us ideas about what we should talk about in future episodes. 

Podcast produced by Rosemary Belson and Jasmine Ellis. 

Slate Plus members get a bonus segment on MADAF each week, and no ads. Sign up now at slate.com/momanddadplus to listen and support our work.

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