Larissa Fasthorse's new collection of plays includes the wildly successful plays The Thanksgiving Play/What Would Crazy Horse Do? (Theatre Communications Group, 2021). In both plays, Fasthorse explores issues facing contemporary Native Americans, but also white America's complicated self-identity in an era of multiculturalism. In The Thanksgiving Play, four white people with varying degrees of theatre experience try to stage a historically sensitive Thanksgiving pageant for a local school, with predictably disastrous results. What Would Crazy Horse Do? features the last two members of a fictional tribe who are forced to confront uncomfortable aspects of their own history when they learn that their grandfather participated in a reenactment of a powwow as part of a Klan rally. This gut-churning play reveals the fallacy of any ideology of racial purity, whether involving whites, indigenous peoples, or any other group. Together, these two plays are a riotously funny but ultimately unsettling look at contemporary politics of race and representation.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.
Josefa Velasquez lived a long and full life. When Josefa wasn't co-running a tamale factory and cantina just outside of Wastonville, she was hosting friends and family at her saloon, where "drinking, dancing, and eating tomales" abounded. Josefa's friend, Maria Ascenciόn Solόrsano, was surprised she lived so long: "this woman lived like a rich woman, she ate of the best and drank of the best, and in spite of that she lasted long." "Surely," deduced Maria, Josefa "must have taken after her ancestors." Josefa Velasquez "had no fear of anything," another testament to her ancestors. Josefa had been born in a mission, and she outlived the institution that silenced generations of Indigenous peoples across California starting in the late eighteenth century. Josefa "lasted long," and so have her descendants, who today make up the Amah Mutsun Tribal Band.
Read a conventional history of the California missions, and you may not meet the lively Josefa Velasquez, hear the voice of her friend Maria Ascenciόn Solόrsano, or know that their descendants still live in the Santa Cruz region today. But when Indigenous voices are placed at the center of California history, they create a remarkable collective testimony to Indigenous survival. This is what makes We Are Not Animals: Indigenous Politics of Survival, Rebellion, and Reconstitution in Nineteenth-Century California (University of Nebraska Press, 2022) such a powerful book. With creative use of mission archives and oral history, author Martin Rizzo-Martinez shows how Indigenous peoples in the Santa Cruz region resisted waves of colonization throughout the late eighteenth and nineteenth centuries. This politics of rebellion took many forms, ranging from mass mobilization against missions themselves (like the 1793 Quiroste-led rebellion against Mission Santa Cruz) to unflinching assertions of Indigenous identity (such as Macedonia Lorenzo's 1851 testimony who, after stating "himself an Indian," was deemed an "incompetent" witness in American courts). Against increasingly considerable odds, Indigenous peoples repeatedly rejected various efforts of erasure, in turn revealing them as colonialism's great failure. An homage to Indigenous peoples' long struggle against colonization in California, We Are Not Animals narrates a critical history of how Indigenous families fought for their futures.
Author Martin Rizzo-Martinez is the state park historian of California State Park's Santa Cruz District. Dr. Rizzo-Martinez is currently producing a podcast, Challenging Colonialism, that brings Indigenous voices back to the center of California history. He is also working on a documentary project about the 2015 Walk for the Ancestors pilgrimage in honor of Indigenous ancestors who suffered and perished in the Mission system. Listeners can purchase We Are Not Animals from the University of Nebraska Press for 40% off using discount code: 6AS21.
Annabel LaBrecque is a PhD student in the Department of History at UC Berkeley. You can find her on Twitter @labrcq.
A remarkable debut from an exhilarating young new voice, Such a Fun Age is a big-hearted page-turner of a story about race and privilege, centring on a young black babysitter, her well-meaning employer, and a chance encounter that threatens to undo them both.
(Picture: Kiley Reid. Photo credit: David Goddard.)
John and new Brandeis host Jerome Tharaud (author of Apocalyptic Geographies) learn exactly how the growth of America's public universities relied on shameful seizures of Native American land. Working with Tristan Athone --editor of Grist and a member of the Kiowa Tribe--historian Robert Lee wrote a stunning series of pieces that reveal how many public land-grant universities were fundamentally financed and sustained by a long-lasting settle-colonial "land grab." Their meticulous work paints an unusually detailed picture of how most highly praised institutions of higher education in America (Cornell, MIT, UC Berkeley and virtually all of the great Midwestern public universities) were initially launched and sometimes later sustained by a flood of cash deriving directly or indirectly from that stolen and seized land.
The Morrill Act (1862, right in the middle of the Civil War, and that is no coincidence). Its author Justin Morrill, a Vermont Senator, argued the land-grants were a payback for the East's investment in opening the West. The West was "a plundered province" wrote Bernard de Voto (Harpers, August 1934).
From historian and critically acclaimed author of The Three-Cornered War comes the propulsive and vividly told story of how Yellowstone became the world’s first national park amid the nationwide turmoil and racial violence of the Reconstruction era.
Each year nearly four million people visit Yellowstone National Park—one of the most popular of all national parks—but few know the fascinating and complex historical context in which it was established. In late July 1871, the geologist-explorer Ferdinand Hayden led a team of scientists through a narrow canyon into Yellowstone Basin, entering one of the last unmapped places in the country. The survey’s discoveries led to the passage of the Yellowstone Act in 1872, which created the first national park in the world.
Now, author Megan Kate Nelson examines the larger context of this American moment, illuminating Hayden’s survey as a national project meant to give Americans a sense of achievement and unity in the wake of a destructive civil war. Saving Yellowstone: Exploration and Preservation in Reconstruction America(Scribner, 2022) follows Hayden and two other protagonists in pursuit of their own agendas: Sitting Bull, a Lakota leader who asserted his peoples’ claim to their homelands, and financier Jay Cooke, who wanted to secure his national reputation by building the Northern Pacific Railroad through the Great Northwest. Hayden, Cooke, and Sitting Bull staked their claims to Yellowstone at a critical moment in Reconstruction, when the Grant Administration and the 42nd Congress were testing the reach and the purpose of federal power across the nation.
A narrative of adventure and exploration, Saving Yellowstone is also a story of Indigenous resistance, the expansive reach of railroad, photographic, and publishing technologies, and the struggles of Black southerners to bring racial terrorists to justice. It reveals how the early 1870s were a turning point in the nation’s history, as white Americans ultimately abandoned the higher ideal of equality for all people, creating a much more fragile and divided United States.
Megan Kate Nelson is a writer and historian living in Lincoln, Massachusetts. She has written about the Civil War, US western history, and American culture for TheNew York Times, TheWashington Post, Smithsonian Magazine, Preservation Magazine, and Civil War Monitor. Nelson earned her BA in history and literature from Harvard University and her PhD in American studies from the University of Iowa, and she has taught at Texas Tech University, Cal State Fullerton, Harvard, and Brown. Nelson is the author of Saving Yellowstone, The Three-Cornered War, Ruin Nation, and Trembling Earth. Twitter. Website.
Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website
Dennis Kelley is an associate professor of Religious Studies at the University of Missouri, Columbia. He received his Master’s and Doctorate from the University of California, Santa Barbara, with emphases in American Indian Religious Traditions, Religion in American Culture, and Myth and Ritual Theory. His most recent book is Tradition, Performance, and Religion in Native America: Ancestral Ways, Modern Selves, and is currently working on a book tentatively titled Having Had a Spiritual (Re)Awakening: Religion and Alcohol Addiction Recovery in Indian Country.
Stephanie Khattak speaks with Dr. Linda Legarde Grover, an award-winning author whose latest book interweaves family and Ojibwe history with stories from Misaabekong (the place of the giants) on Lake Superior in Duluth, Minnesota: Gichigami Hearts: Stories and Histories from Misaabekong (U Minnesota Press, 2021)
Dr. Grover is an Anishinaabe novelist and short story writer. She is a professor of American Indian Studies at the University of Minnesota Duluth and a member of the Bois Forte Band of Ojibwe. Her work, which spans fiction, nonfiction, and poetry, recounts stories of Ojibwe life in northeastern Minnesota individuals, families and communities set against the backdrop of indigenous tradition and impacts of historical and current events.
In this interview, Dr. Grover shares the importance of stories and folklore traditions; her perspective as a scholar and storyteller, and the intrinsic value of maintaining - and strengthening - connections with people, places and communities beyond ourselves.
Beginning with pre-Revolutionary America and moving into the movement for Black lives and contemporary Indigenous activism, Kyle T. Mays, an Afro-Indigenous historian, argues that the foundations of the US are rooted in anti-blackness and settler colonialism, and that these parallel oppressions continue into the present.
InAn Afro-Indigenous History of the United States (Beacon Press, 2021), he explores how Black and Indigenous peoples have always resisted and struggled for freedom, sometimes together, and sometimes apart. Whether to end African enslavement and Indigenous removal or eradicate capitalism and colonialism, Mays shows how Black and Indigenous peoples’ calls for justice have consistently sought to uproot white supremacy. Using a wide array of key texts and pop culture touchstones, Mays also covers the civil rights movement and freedom struggles of the 1960s and 1970s, and explores current debates around the use of Native American imagery and the appropriation of Black culture.
John Cable is assistant professor of history at Abraham Baldwin Agricultural College in Tifton, Georgia. He earned the Ph.D. in history at Florida State University in 2020.
In the second in our season celebrating The Exuberance of Youth in this centenary year of the BBC, Harriett Gilbert talks to world-famous Chilean writer Isabel Allende about her extraordinary novel, Eva Luna.
Eva Luna is the story of an orphan who beguiles the world with her remarkable visions, triumphing over the worst of adversities and bringing light, as her name would suggest, to a dark place.
As Eva comes of age and tells her tale, Isabel Allende conjures up a whole complex, unidentified, South American nation— filled with a cast of unforgettable characters, rich, poor, simple, sophisticated, oppressors and oppressed. Against this turbulent background, love, politics and tragedy all play their part in Eva’s life and help shape her into the unforgettable revolutionary and storyteller she becomes.
A novel that celebrates the power of imagination to create a better world.
(Picture: Isabel Allende. Photo credit: Lori Barra.)
Many scholars have come to think of the European Christian mission to the Americas as an inevitable success. But in its early period it was very much on the brink of failure. In 1576, Indigenous Mexican communities suffered a catastrophic epidemic that took almost two million lives and simultaneously left the colonial church in ruins. In the crisis and its immediate aftermath, Spanish missionaries and surviving pueblos de indios held radically different visions for the future of Christianity in the Americas.
The Church of the Dead offers a counter-history of American Christian origins. It centers the power of Indigenous Mexicans, showing how their Catholic faith remained intact even in the face of the faltering religious fervor of Spanish missionaries. While the Europeans grappled with their failure to stem the tide of death, succumbing to despair, Indigenous survivors worked to reconstruct the church. They reasserted ancestral territories as sovereign, with Indigenous Catholic states rivaling the jurisdiction of the diocese and the power of friars and bishops.
Christianity in the Americas today is thus not the creation of missionaries, but rather of Indigenous Catholic survivors of the colonial mortandad, the founding condition of American Christianity. Weaving together archival study, visual culture, church history, theology, and the history of medicine, Jennifer Scheper Hughes provides us with a fascinating reexamination of North American religious history that is at once groundbreaking and lyrical.
Brady McCartney is a Ph.D. student and scholar of religion, Indigenous studies, and environmental history at the University of Florida.Email: Brady.McCartney@UFL.edu
