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In an episode from 2012, we looked at what Sleep No More and the Stanford Prison Experiment can tell us about who we really are.
The post Is It a Theater Piece or a Psychological Experiment? (Update) appeared first on Freakonomics.
array(3) { [0]=> string(0) "" [1]=> string(0) "" [2]=> int(0) }The ability to get into any home, car, or safe can be lucrative — but fixing locks is a tough business. Zachary Crockett gets the key information.
A hit like Hamilton can come from nowhere while a sure bet can lose $20 million in a flash. We speak with some of the biggest producers in the game — Sonia Friedman, Jeffrey Seller, Hal Luftig — and learn that there is only one guarantee: the theater owners always win. (Part two of a three-part series.)
The post On Broadway, Nobody Knows Nothing appeared first on Freakonomics.
array(3) { [0]=> string(0) "" [1]=> string(0) "" [2]=> int(0) }On this episode, Jessica Carges chats with Karol Boudreaux on female land and resource rights in Sub-Saharan Africa and their impact on economic development. Karol discusses how even when property rights are granted, formal documentation and cultural backgrounds pose challenges to control over land use, and she shares the success story of Rwanda, how the state undertook a massive land documentation effort to improve formal property rights.
Karol Boudreaux has a JD in International Law from the University of Virginia, and her work over the past two decades has focused on efforts to support improvements to land tenure and property rights for people around the world, particularly those in Sub-Saharan Africa. During her time at the Mercatus Center, she was the lead researcher for the Enterprise Africa project. She focuses on understanding links between property rights systems and development, as well as the evolution of property systems.
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CC Music: Twisterium
Those tiny treats that predict your future may come free at the end of a Chinese meal, but they’re big business (and not Chinese). Zachary Crockett will go on a long journey.
It has become fiendishly expensive to produce, and has more competition than ever. And yet the believers still believe. Why? And does the world really want a new musical about … Abraham Lincoln?! (Part one of a three-part series.)
The post How Is Live Theater Still Alive? appeared first on Freakonomics.
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