Maia from mxmtoon released her first EP in 2018. She was 18 years old, recorded it in her bedroom, and self-released it. It went on to be streamed over 100 million times. This year, she put out her second album, Rising, and in this episode, she breaks down her song "Mona Lisa." She told me about how different it is from the songs she used to write when she was teenager. And how she found something authentic and honest by connecting with a part of herself from even earlier in her life.
This episode is part of Pledge Week 2022. Every day this week, I’ll be posting old Patreon bonus episodes of the podcast which will have this short intro. These are short, ten- to twenty-minute bonus podcasts which get posted to Patreon for my paying backers every time I post a new main episode — there are well over a hundred of these in the archive now. If you like the sound of these episodes, then go to patreon.com/andrewhickey and subscribe for as little as a dollar a month or ten dollars a year to get access to all those bonus episodes, plus new ones as they appear.
This episode is part of Pledge Week 2022. Every day this week, I’ll be posting old Patreon bonus episodes of the podcast which will have this short intro. These are short, ten- to twenty-minute bonus podcasts which get posted to Patreon for my paying backers every time I post a new main episode — there are well over a hundred of these in the archive now. If you like the sound of these episodes, then go to patreon.com/andrewhickey and subscribe for as little as a dollar a month or ten dollars a year to get access to all those bonus episodes, plus new ones as they appear.
This week Danny and Tyler discuss Jaime Wyatt's groovy combo of outlaw and cosmic country styles, and they add her song "Neon Cross" to the Ultimate Country Playlist. The boys discuss the true stories Wyatt writes about on her two albums, Felony Blues and Neon Cross, how live music can be a religious experience, and more!
This episode is part of Pledge Week 2022. Every day this week, I’ll be posting old Patreon bonus episodes of the podcast which will have this short intro. These are short, ten- to twenty-minute bonus podcasts which get posted to Patreon for my paying backers every time I post a new main episode — there are well over a hundred of these in the archive now. If you like the sound of these episodes, then go to patreon.com/andrewhickey and subscribe for as little as a dollar a month or ten dollars a year to get access to all those bonus episodes, plus new ones as they appear.
The Facebook community I talk about is at https://www.facebook.com/groups/293630102611672/
The post for asking Q&A questions is here
The Patreon post for Q&A questions is hereTranscript
Hello and welcome to the start of 2022’s Pledge Week.
For those of you who don’t know, this podcast is my full-time job, and I can only do it because of listener support, and the best way people can support me is to set up a regular donation through patreon.com, and to reward those supporters I do short bonus podcasts that only backers can access, as well as doing occasional other bonus things for them.
Now, I have been very, very, lucky when it comes to people backing me. For the first couple of years of the podcast I had to take on additional work because this wasn’t paying enough, but now I have enough very generous backers that I can pay my mortgage, buy all the books and CDs I need for the research, pay Tilt for his time editing the podcast, and generally do the work without worrying about my finances the way I had to at first. This has been especially useful in the last year, when as you may have gathered everything *else* went wrong in my life — to have that basic financial security because of people’s generous donations has literally saved my life.
I’m making that clear now because I don’t want anyone to give a single penny they can’t afford. If my Patreon donations continue at the same level they have been, I can continue making the podcast indefinitely without worrying, so don’t give me money you can’t afford. But, of course, the only way I can keep the donations at the same level is to remind people occasionally that the Patreon exists — otherwise, the levels will slowly go down, as people lose their jobs or retire and can’tafford that extra dollar a month, or the podcast gets past the era of music they’re interested in, or I say something that causes offence, or they just decide the podcast isn’t for them any more.
So, every year or so, for a week I do a pledge week, where every day for a week I put up one of the old backer-only ten-minute or so podcasts, that Patreon backers have had access to for a year or so. There are well over a hundred of these now, and only a tiny selection of them get posted in these Pledge weeks, so if you want to hear the rest of them you have to subscribe for as little as one dollar a month — or ten dollars for a year.
Again, I want to emphasise — as long as donation levels stay around where they are now, the main podcast will always remain free, and will have no ads or any of the other things people do to monetise their podcasts. Nobody is under any obligation to pay me a penny, and you should only give what you can afford after looking after yourself and your loved ones and any charitable donations or so on. There are many more important uses for your money than my podcast, especially in difficult times like this, and I don’t begrudge anyone listening for free. I’m making enough, and while it’s always nice to have more, there’s no pressure on anyone.
But if you have a little spare cash left over after all that, and you want to help out, for the next week you’ll get a taste of what you can get.
Also, two weeks from today I will be doing two question and answer podcasts. One will be for backers only, and will be answering questions on a Patreon post I’m going to make, which only backers will be able to access. The other will be for the general public, and will be answering questions posted in the comments for the admin post I made a couple of weeks back. I’ll link both posts in the notes to this episode.
Also, while I’m here I’d just like to mention that my friend Shawn has set up a Facebook discussion group for the podcast, which I’ll also link. I’m not on Facebook myself, and while I’m not looking at it myself, Shawn will pass on anything she thinks I should know about the discussions there — but you can also use it to talk about my podcast without worrying that I’m looking over your shoulder.
Anyway, for the next seven days, enjoy these old Patreon backer bonus episodes.
For July 4th we have a special episode all about patriotic country songs, with special guest Joe Mande (@joemande, Hacks, Parks & Recreation, on tour now!!). Joe joins Danny and Tyler to discuss country's history of lyrical patriotism, and how the genre changed after 9/11.
In this episode we explore the songs of Toby Keith (of course), Johnny Cash (of course), Hank Williams Jr. (yikes!) , and more!
Monica Martin is a singer and songwriter based in Los Angeles. Before that, she was based in Madison, Wisconsin, where she was part of the indie rock band Phox. She’s been a featured guest vocalist on songs by James Blake and Vulfpeck. In this episode, Monica breaks down her song “Go Easy, Kid,” along with the tracks’s producer, Khushi. She talks about making a song that’s in part about how hard it can be to make a song. And more generally, how hard it can be to let go of things we get hung up on.
This week the boys are joined by Tom Thakkar (@TomAThakkar, Tonight Show, Conan, Comedy Central, Stand By Your Band podcast) to discuss superstar duo Brooks & Dunn. We add their early heartbreak hit "Neon Moon" to our public playlist, and also discuss B&D's other big hits: the good, the bad, the corny. We also share some theories on how Brooks & Dunn went to influence radio country today (for better and for worse).
Did you somehow miss Brooks & Dunn dominating country radio in the 90s? Well, here are some other recs from Tom, Danny, and Tyler: My Maria You’re Gonna Miss Me When I’m Gone Boot Scoot Boogie 1, 2, Many Hillbilly Deluxe (Danny says, somewhat sheepishly) Brand New Man Aint Nothing About You
This week’s episode looks at “All You Need is Love”, the Our World TV special, and the career of the Beatles from April 1966 through August 1967. Click the full post to read liner notes, links to more information, and a transcript of the episode.
NB for the first few hours this was up, there was a slight editing glitch. If you downloaded the old version and don’t want to redownload the whole thing, just look in the transcript for “Other than fixing John’s two flubbed” for the text of the two missing paragraphs.
