I just heard the sad news that Gerry Marsden, of Gerry and the Pacemakers, has died today aged seventy-eight. As the latest episode of the podcast is late due to personal issues, I thought I’d make this available to the general public – this is a ten-minute Patreon bonus episode I did back in October, on Gerry and the Pacemakers, so it’s here as a little tribute. He’ll be missed.
A History of Rock Music in 500 Songs - Episode 109: “Blowin’ in the Wind” by Peter, Paul, and Mary
Episode one hundred and nine of A History of Rock Music in Five Hundred Songs looks at “Blowin’ in the Wind”, Peter, Paul and Mary, Bob Dylan, the UK folk scene and the civil rights movement. Those of you who get angry at me whenever I say anything that acknowledges the existence of racism may want to skip this one. Click the full post to read liner notes, links to more information, and a transcript of the episode.
Patreon backers also have a ten-minute bonus episode available, on “Santa Claus is Coming to Town” by the Crystals.
Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/
A History of Rock Music in 500 Songs - Episode 108: “I Wanna Be Your Man” by the Rolling Stones
Episode 108 of A History of Rock Music in Five Hundred Songs looks at “I Wanna Be Your Man” by the Rolling Stones and how the British blues scene of the early sixties was started by a trombone player.
Click the full post to read liner notes, links to more information, and a transcript of the episode.
Patreon backers also have an eight-minute bonus episode available, on “The Monkey Time” by Major Lance.
Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/
Song Exploder - Common – A Riot In My Mind
Common is a Grammy- and Oscar-winning rapper, actor, and activist from Chicago. He’s been making records since 1992, and in October, he released his thirteenth album, A Beautiful Revolution. In this episode, he breaks down how he made the song “A Riot In My Mind,” along with a handful of collaborators, including Lenny Kravitz and a cameo from Chuck D.
A History of Rock Music in 500 Songs - BONUS: I Read The NewsToday Oh Boy: The Kennedy Assassination
The third in the occasional series of ten-minute looks at topics in the news during the time we’re looking at covers the Kennedy assassination. Click through for the transcript:
A History of Rock Music in 500 Songs - Episode 107: “Surf City” by Jan and Dean
Episode 107 of A History of Rock Music in 500 Songs looks at “Surf City” and the career of Jan and Dean, including a Pop Symphony, accidental conspiracy to kidnap, and a career that both started and ended with attempts to get out of being drafted. Click the full post to read liner notes, links to more information, and a transcript of the episode.
Patreon backers also have a ten-minute bonus episode available, on “Hey Little Cobra” by the Rip Chords.
Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/
A History of Rock Music in 500 Songs - Episode 106: “Louie Louie” by the Kingsmen
Episode 106 of A History of Rock Music in Five Hundred Songs looks at “Louie Louie” by the Kingsmen, and the story of how a band that had already split up accidentally had one of the biggest hits of the sixties and sparked a two-year FBI investigation.
Click the full post to read liner notes, links to more information, and a transcript of the episode.
Patreon backers also have an eight-minute bonus episode available, on “It’s My Party” by Lesley Gore.
Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/
Song Exploder - Jewel – You Were Meant For Me
Jewel is a singer-songwriter from Homer, Alaska, who’s received four Grammy nominations and sold over 30 million albums worldwide. Her debut album, Pieces of You, came out in 1995, and a 25th anniversary edition was released in November 2020. That album contains the hit song "You Were Meant for Me," but it turns out it wasn’t a runaway success—not at first. In this episode, Jewel traces the history of making “You Were Meant For Me,” starting with the demo, and moving through all the different versions that were made along the way.
A History of Rock Music in 500 Songs - Episode 105: “Green Onions” by Booker T. and the MGs
Episode 105 of A History of Rock Music in Five Hundred Songs looks at “Green Onions”, and how a company started by a Western Swing fiddle player ended up making the most important soul records of the sixties. Click the full post to read liner notes, links to more information, and a transcript of the episode.
Patreon backers also have a ten-minute bonus episode available, on “He’s So Fine” by the Chiffons.
Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/
Song Exploder - Billie Eilish – Everything I Wanted
Billie Eilish started releasing music when she was 14 years old. Her debut album came out last year, when she was 17. It debuted at Number 1 on Billboard, went triple platinum, and won five Grammys. Billie made that record with her brother and creative partner, producer Finneas O’Connell, in their parents’ house in Highland Park, Los Angeles.
While working on that album, they also started writing this song, “Everything I Wanted,” which came out as a single in November 2019. It was Billie’s second top ten hit, and it went double platinum, too. In this episode, you’ll hear some of the original voice memos Billie and Finneas made while writing, and the two of them explain why the song was almost never finished.