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On The Gist, Maria Konnikova of the New Yorker explains why our growing motivational industry needs some oversight. She’s the author of The Confidence Game. For the Spiel, the lasting impact of the 1994 crime bill on today’s candidates and voters.
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On The Gist, Mike offers keen insight into Sheldon Silver. Then, which Republican presidential nominee is nailing visual optics? Josh King joins us to explain why the visuals and headlines are becoming increasingly important for political campaigns. He’s the author of Off Script: An Advance Man’s Guide to White House Stagecraft, Campaign Spectacle, and Political Suicide. For the Spiel, the Google Play app introduces Mike to ’90s agro anthems. Listen to find out what happened next.
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On Start the Week Tom Sutcliffe discusses the writing of war and conflict. The journalist Patrick Cockburn looks back at his years covering crises in the Middle East, especially the rise of the so-called Islamic state. The Turkish writer Ece Temelkuran looks at the difficulty of reporting in a country where press freedoms are severely curtailed and asks whether fiction and poetry are a way of telling a more truthful story. The legendary American investigative reporter Seymour Hersh first gained recognition in the 1960s for exposing the My Lai massacre and its cover-up during the Vietnam War and has spent his career uncovering wrong-doing at the highest level. But reporting is changing and the academic Charlie Beckett celebrates the rise of citizen journalism. Producer: Katy Hickman.
On The Gist, we travel back to the year our host and music writer Chris Molanphy were in their music-listening prime. We’ll count down the Billboard hits from 1986 that marked a significant pivot in music history. Chris writes Slate’s Why Is That Song No. 1 column. For the Spiel, favorite moments from Thursday night’s Democratic debate in Brooklyn, New York.
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On The Gist, Maria Konnikova of the New Yorker explains what researchers have found when they looked into the health benefits of fasting. She’s the author of The Confidence Game. If you enjoyed this interview, you should also check out our past segment with Maria about eating late. For the Spiel, honoring the breakfast cereal spokes-things tradition.
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On The Gist, itching to visit the president of the Republic of Molossia? Or hear the dark histories of Patarei Prison in Tallinn, Estonia? David Plotz from Atlas Obscura offers advice for creating your own adventures on Saturday, April 16 for this weekend’s Obscura Day. For the Spiel, why we’re not impressed by the depth of your worldview, Mark Zuckerberg.
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On The Gist, we use Yodely Guy to discuss the latest news from Goldman Sachs. Then, let’s dive deep into Wyoming delegate math with Aimee Van Cleave from the Wyoming Democratic Party. For the Spiel, does Hillary have too many Pinocchios but not enough truths?
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On The Gist, we again compare the value of winning states vs. winning delegates in Democratic primaries. Which could be more valuable? Then learn the definition of an “S.O.B. flag” when we visit Vexillology Corner with our favorite vexillologist Ted Kaye. He’s the author of Good Flag, Bad Flag. For the Spiel, it’s time we talk about wolverines.
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On Start the Week Andrew Marr talks to the psychologist Charles Fernyhough about the inner speech in our heads. But what if it's a lone voice? The writer Olivia Laing explores what it's like to be lonely in a bustling city, while the playwright Alistair McDowall explores what happens when you're abandoned on a distant planet with no sense of time. The biographer Frances Wilson writes a tale of hero-worship, betrayal and revenge through the life of Thomas De Quincey, a man who modelled his opium-habit on Coleridge and his voice and writing on Wordsworth. Producer: Katy Hickman.
On Start the Week Andrew Marr talks to the psychologist Charles Fernyhough about the inner speech in our heads. But what if it's a lone voice? The writer Olivia Laing explores what it's like to be lonely in a bustling city, while the playwright Alistair McDowall explores what happens when you're abandoned on a distant planet with no sense of time. The biographer Frances Wilson writes a tale of hero-worship, betrayal and revenge through the life of Thomas De Quincey, a man who modelled his opium-habit on Coleridge and his voice and writing on Wordsworth. Producer: Katy Hickman.