Category: 3-SometimeCommentary

Andrew Marr returns to Start the Week for a special programme on the early 17th century poet George Herbert. His English poetry was never published in his lifetime, but he hoped it would act as consolation 'of any dejected poor soul', and his latest biographer John Drury argues that with its focus on love over theology, his poetry still speaks to and for modern readers. The composer Sir John Tavener and the writer Jeanette Winterson discuss prayer in a secular age, and the power of music and words to soothe the soul.

This programme was recorded before the sad announcement of Sir John Tavener's death.

Producer: Katy Hickman.

Stephanie Flanders contemplates nothing with science editor Jeremy Webb who is fascinated with the idea of vacuum, voids and absolute zero; and astronomer Carolin Crawford explains there's more to black holes than meets the eye. The director Simon McBurney looks to reveal all in his production of the Magic Flute, including liberating the orchestra from the pit to centre stage; and Fiona Shaw asks 'is this all?' in her re-imagining of Britten's The Rape of Lucretia.

Producer: Natalia Fernandez.

Start the Week is at the Radio 3 Free Thinking Festival in Gateshead. Anne McElvoy talks to the historian Catherine Merridale about the Kremlin - a Russian fortress which has retained its original medieval function to intimidate and control, and which holds a special place in the imagination. Few buildings in England inspire such fear, but Simon Thurley explores how the country's architecture has influenced the world. The Newcastle-born writer Michael Chaplin looks to the history of the River Tyne to understand the changing fortunes of the city and its population; and the Indian writer Amit Chaudhuri attempts to save the remnants of Calcutta's colonial past under its ever-changing skyline. Producer: Katy Hickman.

On Start the Week Stephanie Flanders asks the head of the British Red Cross, Sir Nick Young, whether the charity's principle of neutrality is still as relevant today as it was 150 years ago. The journalist Lindsey Hilsum has reported on the major international conflicts and atrocities in the last few decades and wrestles with the moral complexities of being neutral and impartial. Making judgements about who deserves to be helped and how many, concerns the economist Paul Collier, as he attempts to defuse the explosive subject of immigration. And the Conservative MP Kwasi Kwarteng proposes selling working visas to the highest bidder. Producer: Katy Hickman.

Tom Sutcliffe discusses the role and place of contemporary art in today's global, digital world with the artist Grayson Perry. While the Director of Tate Britain Penelope Curtis looks back to a time when images held such power and caused such outrage that they had to be destroyed, in an exhibition on iconoclasm. Philip Davis offers a defence of the value of reading serious literature. And Nicholas Lovell looks at the money that artists can make, using the internet to change the way they relate to their fans. Producer: Katy Hickman.

Anne McElvoy looks back to the Victorian age with Simon Heffer who argues it laid the foundations for modern society, from the evolution of British democracy, to new attitudes to education, religion and science. Professor of British Government, Anthony King, considers if the blunders of today's parliamentarians has anything on the antics of Gladstone and Disraeli. But the writer DJ Taylor believes it's the era's novels which have left a lasting impression. And the curator Sonia Solicari has created a miscellany of curiosities in her exhibition of contemporary artists influenced and inspired by Victoriana.

Producer: Katy Hickman.

Anne McElvoy looks back to the Victorian age with Simon Heffer who argues it laid the foundations for modern society, from the evolution of British democracy, to new attitudes to education, religion and science. Professor of British Government, Anthony King, considers if the blunders of today's parliamentarians has anything on the antics of Gladstone and Disraeli. But the writer DJ Taylor believes it's the era's novels which have left a lasting impression. And the curator Sonia Solicari has created a miscellany of curiosities in her exhibition of contemporary artists influenced and inspired by Victoriana.

Producer: Katy Hickman.

Stephanie Flanders talks to the Canadian poet Anne Carson about updating a three thousand year old myth, in which the red winged monster becomes a moody teenage boy. Daljit Nagra takes inspiration from poets across Asia for his own version of the ancient text, Ramayana. The sins of the father are revisited in Richard Eyre's version of Ibsen's Ghosts. And Celtic Europe is the setting for Graham Robb's latest journey, as he uncovers a lost map which reveals hidden meanings in an ancient civilisation.

Producer: Katy Hickman.

On Start the Week Stephanie Flanders considers the impact of new technology on 'digital natives', a generation who have never known life without facebook and smartphones. Beeban Kidron's new film explores the lives of teenagers and the corporations that influence and manipulate their online lives for profit. The entrepreneur Jamal Edwards started filming his friends rapping when he was just 15, he's used the web to become a multi-million pound CEO. The academic Farida Vis researches the invisible algorithms that pervade the internet. And Adrian Hon attempts to predict the future - both human and technological - using the objects around us.

Producer: Katy Hickman.

As Start the Week returns to Radio 4, Tom Sutcliffe talks to Margaret Atwood about her vision of the future. In the last of a trilogy of dystopian novels, Atwood charts the fortunes of a group of survivors after a man-made plague has devastated the world. There's more man-made corruption and savagery in Vicky Featherstone's first production as the new Artistic Director of the Royal Court Theatre: The Ritual Slaughter of Gorge Mastromas is a dark morality tale. But the philosopher A C Grayling goes back to the Greeks to explore the best of humanity - friendship.

Producer: Katy Hickman.