Category: 3-SometimeCommentary

The construction of a giant factory complex in Arizona was supposed to embody the Trump administration’s ability to bring manufacturing back to the United States.

But undertaking big projects is not as simple as it seems. Peter S. Goodman, who writes about the intersection of economics and geopolitics for The New York Times, explains why.

Guest: Peter S. Goodman, who covers the global economy for The New York Times.

Background reading: 

• Read about the 18,000 or so reasons that make it so hard to build a chip factory in the United States.

Photo: Loren Elliott for The New York Times

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

How much can we truly know about the inner lives of others? Tom Sutcliffe is joined by Miles Leeson and Karen Leeder to reflect on the challenge of interpreting the minds and motivations of poets, both past and present.

Editor Miles Leeson presents Poems from an Attic, a newly published collection of Iris Murdoch’s previously unseen poetry. Found in a box long after her death, these intimate verses offer fresh insight into the desires of a writer better known for her novels and philosophy.

Professor Karen Leeder has spent much of her career studying the poetry of East Germany. Her recent translation of Durs Grünbein, Psyche Running: Selected Poems 2005-2022 won this year's Griffin Poetry Prize 2025. Grünbein has written about the wartime bombing of his birth city Dresden and as a translator of classical authors, including Aeschylus and Seneca, his work features reflections on the relevance of the past and of antiquity in the present.

Nick Makoha's latest volume of poetry The New Carthaginians draws on an eclectic range of artistic, historic and cultural sources from the politics of 1970s Uganda to the myth of Icarus and the exploded collages of the neo-expressionist art movement. He writes employing symbols and traditions in startling ways to transform what we might think we know into something completely new.

Producer: Ruth Watts

Earlier this summer Carmen Herrera was detained by ICE outside of San Antonio’s immigration court. She’s a mother of five girls who are all U.S. citizens and she is also married to a U.S. citizen. After she was detained, Herrera’s nightmare began—and it’s a story shared by many in our community. Herrera’s story is told in a new documentary.

In these final weeks of 2025, The Sunday Special is looking back at the year in culture.

Today, we’re talking about the TV we watched this year — the best shows, the most popular ones and the ones that allowed us to just enjoyably veg out. Gilbert Cruz talks with the TV critic James Poniewozik and the culture reporter Alexis Soloski about the year in television.

TV shows discussed in this episode:

“Severance”

“Common Side Effects”

“Too Much”

“Nobody Wants This”

“Dying for Sex”

“The Hunting Wives”

“The White Lotus”

“Dr. Odyssey”

“Long Story Short”

“Heated Rivalry”

“Andor”

“The Lowdown”

“Platonic”

“Pluribus”

“The Pitt”

“Adolescence”

On Today’s Episode:

James Poniewozik is the chief TV critic for The New York Times.

Alexis Soloski is a culture reporter for The Times.

Background Reading:

Best TV Shows of 2025

The Best TV Episodes of 2025

Photo Credit: Apple TV+; Netflix; Lucasfilm/Disney+; HBO

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

From his late-night TV show to Carpool Karaoke, James Corden has become known globally as one of the most engaging and delightful interviewers in the entertainment world -- and with his breadth of work across TV, film and stage, he has met so many incredible people whom he now gets the opportunity to spend more time with. 

In this episode, James sits down with Michael Bublé, a five-time Grammy winning singer-songwriter. He’s become synonymous with ‘the most wonderful time of the year’, ever since his Christmas LP became one of the best-selling albums of the 21st century. A musical outsider, he has carved a path that is very much his own, one that few would have seen coming for someone who’s first career was as a commercial fisherman.

To hear more episode of This Life of Mine with James Corden, follow wherever you get your podcasts or head to: https://lemonada.lnk.to/ThisLifeofMineJamesCordenfd

See omnystudio.com/listener for privacy information.

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In light of the recent tragedy, Mike unlocks a 2016 interview with the late Rob Reiner. It is a conversation that now plays differently: Reiner discusses his film Being Charlie, which was written by his son Nick Reiner—the man now arrested in connection with his death. Mike reflects on the director's legacy, the eerie prescience of their discussion on addiction and family, and the President's disparagement of the deceased. Then, The Spiel turns to the Compact magazine essay by Jacob Savage on the "vanishing" white male in cultural industries. Mike parses the statistics—from Ivy League hiring to MacArthur Grants—to ask if the corrective pendulum has swung too far.

Produced by Corey Wara

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The writer and lawyer has been documenting the occupation for decades. Somehow, he maintains hope.

• Thoughts? Email us at theinterview@nytimes.com
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• For transcripts and more, visit: nytimes.com/theinterview

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.