Category: 3-SometimeCommentary

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The biggest news stories, the ones that shape our democracy, don’t just play out in Washington. They unfold in neighborhoods, on street corners, and around the country.

In many cases, the first images and explanations of what’s happening don’t come from national news outlets, but the people who are there with cellphones and cameras in hand. That includes local journalists who are out in their communities. Journalists are trained to confirm and contextualize, but what does that look like in today’s shifting media landscape?

Local reporters on the ground are crucial. But nearly 40 percent of local newspapers in the U.S. have disappeared since the early 2000s. Even the largest newspapers — providing national coverage out of major cities — are on shaky ground. Layoffs are expected at The Washington Post in the coming weeks.

What does it all mean for how news gets made and who gets heard? What’s at stake for our democracy? And who is trying to chart a new path forward?

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A lawyer, artist and curator discuss different examples of censorship and self censorship in Radio 4's weekly discussion of ideas to kick off the week. Tom Sutcliffe's guests are:

Ai Weiwei: a major name in contemporary art and for decades a leading voice for freedom of expression in his native China – and the wider world. In 2011 he was detained for eighty-one days in a secret location, unable to communicate with the outside world. His new book, On Censorship moves from authoritarian regimes to the pervasive influence of corporate power, social media and dominant interest groups in democracies.

Baroness Helena Kennedy has written the introduction to collected writings of Anna Politkovskaya, the Russian journalist who was murdered outside her home in Moscow twenty years ago. With continued attacks in Russia on press freedom, the way she spoke truth to power remains inspirational for Baroness Kennedy.

The figure of the Samurai is often associated with ideas about discipline, sacrifice and war but a new exhibition at the British Museum (on until May 4th) looks at the way this warrior class became consumers and patrons of culture. Rosina Buckland has co-curated the show.

Producer: Ruth Watts

Tom Homan, President Trump’s border czar, traveled to Minneapolis a few days ago with a message: the faster local officials cooperate with federal immigration agents, the faster those agents will leave.

Hamed Aleaziz and Ernesto Londoño, New York Times reporters, explain why that kind of cooperation is so difficult to pull off. 

Guest:

• Hamed Aleaziz, who covers the Department of Homeland Security and immigration policy in the United States for The New York Times.
• Ernesto Londoño, a reporter for The New York Times based in Minnesota.

Background reading: 

• Can Mr. Homan de-escalate tensions in Minnesota?
• Minneapolis police officers caught between the Trump administration and city residents face difficult choices.

Photo: Jamie Kelter Davis for The New York Times

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

There’s growing evidence of a great political shift in America. A record-high 45% of U.S. adults identified as political independents in 2025. Meanwhile an equal share of U.S. adults — 27% each — identified as either Democrats or Republicans. But this means a large share of voters are unrepresented in our two-party political system. As independents rise, how will they have a voice?array(3) { [0]=> string(38) "https://www.tpr.org/podcast/the-source" [1]=> string(0) "" [2]=> string(1) "0" }

At the Grammy Awards tonight, the Puerto Rican pop sensation Bad Bunny is the first Spanish-language artist to be nominated for album, record and song of the year simultaneously. For most artists, this would be the high point of their year, if not their career. For Bad Bunny, this is just an appetizer for what’s in store for him next week.

Next Sunday, he will headline the Super Bowl halftime show. His performance comes in the middle of a nationwide crackdown on immigration — an issue he’s been vocal about — and follows a backlash against the N.F.L. for booking him in the first place.

Jon Caramanica and Joe Coscarelli, the hosts of The Times’s pop music show “Popcast,” discuss Bad Bunny’s rise to the heights of pop stardom, and explore what it means for a Puerto Rican artist to headline the world’s biggest stage.

On Today’s Episode:

Jon Caramanica is a pop music critic at The New York Times and a co-host of “Popcast.”

Joe Coscarelli is a culture reporter for The New York Times who focuses on popular music and a co-host of “Popcast.”

Background Reading:

Grammys 2026: Who Should Win the Biggest Awards

Bad Bunny Talks Coming Back Home on His ‘Most Puerto Rican’ Album Yet

Get to Know Bad Bunny in 9 Songs

Photo: Mario Anzuoni for Reuters.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.