Category: Active

We return to daily podcasting in the wake of a horrible car-ramming-stabbing spree at a synagogue in Manchester, followed by a massive pro-terrorism demonstration right outside 10 Downing Street. The bloodlust for Jewish lives and security has only grown in the two years since October 7. Why? And how can it be stopped? Give a listen.

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Brian Eno’s music opens up worlds I love to step into during trying times. And this conversation with Eno did the same thing.

Eno is a trailblazing musician and producer who’s worked on seminal records by U2, David Bowie, the Talking Heads and Coldplay, among others. But Eno isn’t just a great collaborator with other artists; he’s also a great collaborator with machines. He’s been experimenting with music technology for decades. Long before we started worrying about ChatGPT replacing human creativity, Eno was tinkering with generative systems to pioneer ambient music – a genre that has deeply influenced how we listen to music today. Eno’s use (and playful misuse) of technology has expanded the possibilities of what music and sound can be.

Many of you emailed in asking for a break from the news. Here it is.

This episode contains strong language.

Mentioned:

What Art Does by Brian Eno and Bette Adriaanse

East West Street by Philippe Sands

Silence by John Cage

Book Recommendations:

Printing and the Mind of Man edited by John Carter and Percy H. Muir

A Pattern Language by Christopher Alexander

Naples ’44 by Norman Lewis

Music Recommendations:

The Rural Blues

“The Velvet Underground” by the Velvet Underground

The Consolers

Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Mary Marge Locker, Kate Sinclair and Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Rollin Hu, Kristin Lin, Jack McCordick, Marina King and Jan Kobal. Original music by Aman Sahota and Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. Transcript editing by Sarah Murphy. The director of New York Times Opinion Audio is Annie-Rose Strasser. And special thanks to Geeta Dayal, Jack Hamilton, Victor Szabo and Sophie Abramowitz.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

After Republicans refuse to negotiate with Democrats on extending Affordable Care Act subsidies, the government shuts down. Dan and Alex Wagner, Pod Save America's newest contributor, discuss what Democrats will need to do to hold the line; Project 2025 architect Russ Vought's attacks on blue states and federal employees; and the Democratic-Republican messaging fight that's devolved into an AI-fueled meme war. Then, the two break down Trump's threats — and Hegseth's grievances — at an unprecedented meeting of the military's top brass, Trump's new political demands for universities, and some much-needed good news about free speech, Fed Chair Lisa Cook, and the Bureau of Labor Statistics.

Get tickets to CROOKED CON November 6-7 in Washington, D.C at http://crookedcon.com

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Greetings Horror Sickos, Listener, please light a circle of candles and begin to scrawl out the ancient sigils in salt, and begin the accursed chant … “Let’s All Go to the Lobby, Let’s All Go to the Lobby, and Grab Ourselves a Snack” That’s right! Spooky season is upon us and to inaugurate another edition of Ghoulvie Screamset Horrortober, Will Massacre and Hexa Deni are back with a selection of abominable and morally ruinous films. First up, in Return of the Living Dead (O’Bannon, 1985) an assortment of punks, working stiffs and slobs accidentally expose themselves to zombie gas and help bring out the nuclear bombing of Louisville, Kentucky in this documentary about a real thing that actually happened. This hilarious and goofball horror film asks two existentially terrifying questions: What if you could feel every second of being dead? And, do you want to PARTY???? Then in The Blob (Russell, 1988), a sci fi classic gets a grisly and unforgettable remake that features Kevin Dillon playing an motorcycle riding bad boy who smokes cigs, wears a leather jacket and has to save the small town that rejects him for being too cool from a giant blob that digests and dissolves everything in its path. This episode is free, but the rest of Ghoulvie Screamset Season 3 will be paywalled!