We're back from Rosh Hashanah to sing the glories of Donald Trump's controversial United Nations speech, which is only controversial because he isn't saying what the elites want him to say. And we try to make sense out of what seems like a huge shift on Trump's part in the direction of supporting Ukraine. Give a listen.
FCC chair Brendan Carr’s “easy way or hard way” threat to TV broadcasters lit a censorship firestorm this week. Our Cato panel digs into the government's jawboning, broadcast licensees' “junior-varsity” First Amendment rights, and whether it’s time to scrap the FCC altogether. Plus, the latest on AI regulation and the art of the TikTok deal.
Featuring Gene Healy, Ryan Bourne, Brent Skorup and Jennifer Huddleston
Comedian, actor, & influencer Amanda Seales joins Bad Faith to reflect on the canonization of Charlie Kirk, her viral Jubilee debate video (who says the left is unwilling to debate?), being canceled by Hollywood for speaking out about Palestine and the failures of the Democratic Party, her IRL confrontation with Kamala Harris, staying sane in the public eye, and so much more. It's an intimate, funny, broad conversation with one of the internet's most engaging political personalities.
Ken Jaworowski is out with a new crime novel with a surprising tender side. What About the Bodies is set in a fictional town past its glory days with a shuttered steel plant, closed coal mines, and a community that everyone talks about leaving. In today’s episode, the New York Times editor and author speaks with NPR’s Ayesha Rascoe about the three characters who converge in his story, the failed novels that predated this project, and why Jaworowski says he’s a better editor than writer.
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Men can be trained to regard their exploiters as the virtuous architects of safety and prosperity, as so many so-called "citizens" in America are so relentlessly trained to do.
The irony of the Jimmy Kimmel controversy is that he owed his spot at ABC precisely because his work was non-political. Unfortunately in modern America, professional clowns feel they must become political tools.