Today we discuss all aspects of President Trump's State of the Union Address: The television spectacle, the outbursts, the guests of honor, and more. Will the speech help Republicans close the enthusiasm gap in advance of the midterm elections?
Today, Rob breaks down one of the many impossible expectations we have for our musical stars—the memorial performance. After years of staying out of the public eye, D’Angelo paid tribute to the artist he grew up imitating, Prince, not because he was expected to but because he had something to share. The bulk of D’Angelo’s career was spent defying our expectations, from taking his time between each of his three studio albums to refusing to become a one-dimensional sex symbol after the release of his “Untitled (How Does It Feel)” music video. Rob speaks to author and poet Hanif Abdurraqib about how we misinterpreted this music video and how we should all be grateful we were born at a time when we could listen to D’Angelo.
Donald Trump breaks his own record for longest State of the Union in history, delivering a meandering, angry, tone-deaf speech that utterly fails at its single most important goal: laying out a clear plan for lowering prices. Jon, Lovett, Dan, and Tommy react to Trump's stunts—including bringing on the members of the USA Hockey men's team—what he said about his plans for Iran, the fights he tried to pick with Democrats, and the official Democratic response from Gov. Abigail Spanberger.
What do the latest batch of documents tell us about convicted sex offender Jeffrey Epstein and elite networking? Quite a bit. Today on the show, we analyze one exchange between Epstein and a former world leader to find out how the revolving door works for the rich and powerful.
FYI, we are going on a book tour! Planet Money’s first ever book comes out in April. We’ll be celebrating in about a dozen cities. There’s a limited-edition tote bag included with your ticket, while supplies last. Details, dates and how to get your ticket at planetmoneybook.com.
For sponsor-free episodes of The Indicator from Planet Money, subscribe to Planet Money+ via Apple Podcasts or at plus.npr.org. Fact-checking by Vito Emanuel. Music by Drop Electric. Find us: TikTok, Instagram, Facebook, Newsletter.
There are many ways that a home renovation project can become a nightmare for all involved. But in The Renovation, narrator Dilara’s remodeling woes aren’t strictly financial or aesthetic—they’re absurdly surreal. When she finds her bathroom transformed into an armed Turkish prison cell, Dilara and her family must reckon with fragments of their past, present and future, all while fighting against the pace of time itself. In today’s episode, author Kenan Orhan joins NPR’s Scott Simon to discuss his debut novel, and how the concept of “prison” is a metaphor in far more ways than one.
To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookoftheday
Episode: 3354 Wharton Esherick's finely-crafted furniture, objects, and art enliven the studio building he designed and constructed. Today, building an autobiography.
Governments at all levels abuse their “privilege” of eminent domain, the taking of private property for government use. Murray Rothbard understood that government was not justified to seize property for such use in the first place.
A.I. agents are here. Have they changed your life yet? The release of agents like Claude Code marked a new pivot point in the history of A.I. We are leaving the chatbot era and entering the agentic era — where A.I. is capable of completing all kinds of tasks on its own, and even collaborating and communicating with other A.I.
It isn’t clear yet whether these models actually make their users meaningfully more productive. But the technology is continuing to improve; there are few signs that it is close to plateauing. So what might this new era mean for our economy, our labor market and our kids?
Clark is a co-founder of Anthropic, the company behind Claude and Claude Code. His newsletter, Import AI, has been one of my go-to reads to track the capabilities of different models over the years. In this conversation, I ask him to share how he sees this moment — how the technology is changing, whether it is leading to meaningful changes in how we work and think, and how policy needs to or can change in response to any job displacement on the horizon.
This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Michelle Harris with Mary Marge Locker and Kate Sinclair. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones and Aman Sahota. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Kristin Lin, Emma Kehlbeck, Jack McCordick, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.