Depending upon the narrative, American Indians were either noble creatures who were victims of a genocide by rapacious European settlers or were bloodthirsty savages. The truth is more nuanced.
From record-breaking passenger numbers, to some more record-breaking numbers - courtesy of the Men’s football World Cup. We look forward to what 2026 might have in store for us - numerically of course.
Presenter: Tim Harford
Producers: Charlotte McDonald and Katie Solleveld
Production Co-ordinator: Maria Ogundele
Sound Mix: Rod Farquhar
Editor: Richard Vadon
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Starting off the year with a new tradition: the first annual Public Domain Theater, in which Nate reads an important work of American literature that entered the public domain on January 1st of a given year. First up, the first Nancy Drew mystery, The Secret of the Old Clock.
From an Austrian perspective, the Panic of 1893 provides key lessons, but this consequential panic has not received as much direct attention as it deserves.
Demands for Americans to pay reparations to descendants of chattel slavery in America have been growing. The case for reparations, however, has always been weak and illogical.
As 2025 comes to a close, we're revisiting interviews with this year's nominees and winners of some of the biggest prizes in literature. Last up: A 10-year-old girl, Louisa, is later found on a beach in Japan – and her father has disappeared. She and her mother are left on their own – but the tragedy doesn’t bring them closer together, at least for a long time. Susan Choi’s novel Flashlight follows this family across generations and a vast historical expanse. In today’s episode, Choi speaks with NPR’s Scott Simon about why her protagonist fends off love, her interest in the historical tensions between Korea and Japan, and the benefit of writing in chronological order.
To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookoftheday
A wearisome part of modern life is the incessant chants of “doomsday” from intellectual, academic, political, and media elites. That their six decades of predictions all have been wrong only leads them to double down on the volume of their claims.
I like to start the year with a few episodes on things I’m personally working on. Not resolutions, exactly. More like intentions. Or, even better, practices.
One of those practices, strange as it sounds, is repeatedly asking the question: “What is this?” It’s a question I got from a book of the same name, by Stephen and Martine Batchelor. In that book, they are describing an approach toBuddhist meditation built on the cultivation of doubt and wonder. You can see that as a spiritual practice, but it’s also an intellectual and ethical one. It is, for me, a practice that has a lot of bearing on politics and journalism.
Stephen Batchelor’s latest book, “Buddha, Socrates, and Us: Ethical Living in Uncertain Times,” explores those dimensions of doubt more fully. And so I wanted to have him on the show to discuss the virtues of both certainty and uncertainty, the difficulty of living both ethically and openly. You can see this as a conversation about our inner lives or our outer lives, but of course they are one. And Batchelor, as you’ll hear, is just lovely to listen to.
This episode of “The Ezra Klein Show” was produced by Kristin Lin. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Rollin Hu, Emma Kehlbeck, Jack McCordick, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.