There's a bunch out there about the Camel Corps. You'll have fun Googling around. But some of the best details in here, including the remarkable thing about the Red Ghost, comes from this article from a 1961 issue of American Heritage.
This episode was originally released in August of 2015. It was re-released upon hearing that the city of New Orleans has begun the process of removing four monuments to the confederacy and post-civil war era, starting with an obelisk erected in 1891 honoring members of the Crescent City White League who suppressed the African American vote through violence and intimidation and who launched a failed military overthrow of the city’s elected government and integrated police force in 1874.
Music * First up (and returning at the end) is Sandra's Theme, from Heather McIntosh's fantastic score to Compliance, a very good, very disturbing movie. * We hit Frank Glazer leading Charles Ives' Largo for Clarinet, Violin and Piano a couple of times, framing... * Runaway from Olafur Arnalds.
Notes: *The key to researching this episode turned out to be an article in The Journal of Southern History from 2001 by Court Carnay called, "The Contested Image of Nathan Bedford Forrest.". * Also particularly useful was Nathan Bedford Forrest: a Biography, by Jack Hurst. * As was Lynching in America: A History in Documents, compiled by Christopher Waldrep. * Much of my information about the contents of the ceremony and speeches was gathered from this, the digitized journal and scrapbook of Charles Henry Niehaus, the sculptor of the monument. It's an extraordinary resource. * And let us all read Southern Horrors: Lynch Law in All its Phases, by Ida B. Wells. And let's put her on the $10 while we're at it.
Nate DiMeo is the Metropolitan Museum of Art's Artist in Residence for 2016/2017. He is producing ten pieces inspired by the collection and by the museum itself. This is the fifth episode of that residency.
This residency is made possible by the Metropolitan Museum of Art’s Chester Dale Fund.
This episode is written and produced and stuff by Nate DiMeo with engineering assistance from Elyssa Dudley and research Assistance from Andrea Milne. Its Executive Producer is Limor Tomer, General Manager Live Arts, The Metropolitan Museum of Art.
Music * As Much as Possible by Bing & Ruth. * Parcel by Melanie Velarde. * Field Hymn by Syrinx. * Wawa by the Ocean by Mary Lattimore. * Turning 16 and Trading Flags by Ben Sollee.
I learned about Ynes while flipping idly through the 1974 edition of Notable American Women: A Biographical Dictionary (volume II, G-O, incidentally), "prepared under the Auspices of Radcliffe College," as it says on the frontispiece.
By far the most comprehensive thing I read was biography for young readers called Ynes Mexia: Botanist and Adventurer by Durlynn Anema.
Nate DiMeo is the Metropolitan Museum of Art’s Artist in Residence for 2016/2017. He is producing ten pieces inspired by the collection and by the museum itself. This is the second episode of that residency.
This residency is made possible by the Metropolitan Museum of Art’s Chester Dale Fund.
This episode is written and produced and stuff by Nate DiMeo with engineering assistance from Elyssa Dudley and research Assistance from Andrea Milne. Its Executive Producer is Limor Tomer, General Manager Live Arts, The Metropolitan Museum of Art.
Music * Kyu and Njuichi from Sylvain Chauvau’s score to Umarete Wa Mita Keredo. * Moonbow by aAirial. * Gisella by K. Leimer from A Period of Review. * Here’s What You’re Missin and And Then it Rained from Bing & Ruth’s album City Lake.
