Category: DailyShorts

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A Selected Bibliography * Dr. Sam: An American Tragedy by Jack Harrison Pollack * Summer of Shadows: a Murder a Pennant Race and the Twilight of the Best Location in the Nation, by Jonathan Knight, a very readable popular history book that pulls off a maybe-ill-advised trick of balancing the story of the Sheppard case with the Indians 1954 season surprisingly well. * Endure and Conquer, Sam Sheppard and F. Lee Bailey's version of things, written in 1966. Agenda aside, it's a fascinating read. Especially his account of the prison years. * Murder, Culture, and Injustice: Four Sensational Cases in American History, by Walter Hixson. * "Dr. Sam Sheppard The Ex-Convict who Revolutionized Professional Wrestling," from The Wrestler, May, 1970. * The bulk of the details from the last section of story are pulled from contemporary newspaper articles from the Mansfield News-Journal, the Cleveland Plain-Dealer, the Dover Daily Reporter, The Escanaba Daily Press, the Detroit Free Press, the Nashville Tennessean, The Tyrone Daily Herald, and The Washington Post

Music * We hear a snippet of Runaway by Ólafur Arnalds up top. * Then Debut by Christopher Ferreira. * A bit of Saturday Evening from Tomasz Bednarczyk * Ralph Van Raat plays John Adams' China Gates. * The recurring flute piece is Wasser-Wunder from Tibor Szemző and Group 180 * Deadmau5 plays Invidia. * Lawrence English plays Watching it Unfold. * The radio snippet is a bit of a cheat. It's from the World Series from that year. Only broadcast I could find from '54.

Notes Research for this story was largely culled from contemporary newspaper accounts. Check back for a list.

Music * We start off (and end) with You by Nils Frahm. * We’ve got Krolock on the Sledge from Komeda’s great, great score to The Fearless Vampire Hunters. * Jett Rink Theme from Dimitri Tiomkin’s score to Giant. * A little loop of Bandstand, from Thomas Newman’s Little Children score. * And Opening, the vibes pieces, by Nathan Bartlett (making a return appearance). * Oh! And Meet the Neighbors from Marcelo Zarvo’s score to the lovely, Please Give. Which has become the go to soundtrack for “Some borderline scam artist has a crazy idea,” here on the Memory Palace.

Notes * I first came the story of Ross, North Dakota, while reading Muslims in America: A Short History, by Edward E. Curtis. * The full WPA interview with Mary Juma (and another member of the Ross community) can be found in Curtis’ The Columbia Sourcebook of Muslims in the United States. * A contemporary account of the Ross community can be found here.

Music *The first bit is a loop from the opening of a song called I. Permafrost by a long-defunct band called Jerseyturnpike made up of a husband/wife duo from San Francisco. Years ago, I went to their wedding in New Jersey. There was a bounce house. It was beautiful. * The piece finishes up with the on-the-nose, This is Home, from Joel P. West’s soundtrack to the terrific film, Short Term 12.

Notes Nearly all the research for this one comes straight out of the highly-readable, Cap’n George Fred, G.F. Tilton’s 1925 autobiography. I got my copy at a used bookstore for $11. It’s easy to find on eBay and Amazon and whatnot. Totally money well spent.

Music * First up is Lacrymae by Melodium. * Then we mix in Every Mournful Breath by Slow Meadow * Meeting the Neighbors from Marcelo Zarvos’ score to the delightful, Please Give, makes a return appearance. * There’s Steve Reich’s “Music for Pieces of Wood,” as performed by Smoke and Mirrors Percussion Ensemble. * Yes, that’s Immigrant Song, from Zeppelin III. * There’s a bit of Frost Trees from Lalo Schifrin’s extraordinary score to The Fox, from 1967. * End credits, as always, is Wien, by La Bradford. Buy their music, please.

Music * Julia Rovinsky plays Phillip Glass’ Metamorphosis I, from her album Dusk. * There’s an excerpt from Paul Drescher’s “Casa Vecchia,” from the Mirrors: Other Fire album. * There’s a chunk of Jose Gonzalez’ “Instrumental” from his Stay in the ShadeEP. * “Manny Returns Home” from Bernard Hermann’s score to The Wrong Man. * Branka Parlic plays Philip Glass’ “Mad Rush.” Twice. * “Quiet Fan for SK,” by P.G. Six. * Things get heavy to “Particles of the Universe (Heartbeats)” from Dan Romer and Ben Zeitlin’s score to Beasts of the Southern Wild.

Notes There’s a lot written about Robert Smalls, with a lot of contradictory information. I found Edward A. Miller’s Gullah Statesman: Robert Smalls from Slavery to Congress particularly useful to sorting it all out. Some other sources I consulted while researching this piece: * The Negro’s Civil War: How American Blacks Felt and Acted During the War for the Union by the Don, James McPherson * From Slavery to Public Service: Robert Smalls, 1839-1915, by Okon Uya. * And, for what it’s worth, Robert Smalls: The Boat Thief from RFK Jr.’s American Heroes Series is an enjoyable and surprisingly thorough version of the story for young readers, if you’re ever looking for that sort of thing.

Music

* We start off with Wien, by Labradford. * The guys head out to the work site to Piano 3, from Jon Brion's score to Synecdoche, New York. * Then we hear a bit of Metamorphosis by Vladamir Ussachevsky before being bombarded with bits of Fast Pasture by Todd Reynolds. * There's a long stretch of Fog Tropes by Ingram Marshall * Followed by Fragment I by Library Tapes * Before ending on Berceuse, by Alexandra Sileski.

Notes * This is a story I've been wanting to do forever. In fact, falling in love with the story of the Brooklyn Bridge was one of the things that sent me on a path to doing The Memory Palace at all. So, most of this stuff I just kind of already knew. But it was a particular pleasure to go back and read David McCullough's masterful, lovely The Great Bridge. And to read a ton of contemporary accounts of its construction, particularly the New York Time's piece where the reporter heads down into the Brooklyn Caisson.

A special episode of the Memory Palace commissioned by the Metropolitan Museum of Art to coincide with the opening of Rockefeller-Worsham Dressing Room in Gallery 742 of The American Wing and with Artistic Furniture of the Gilded Age, an exhibition open now through May 1st, 2016.  

This piece is ideally consumed on site, in Gallery 742 at The Metropolitan Museum of Art.

Written and Produced by Nate DiMeo of [The Memory Palace.](thememorypalace.us)

Musical score by Jimmy LaValle of The Album Leaf.

Executive Producer, Limor Tomer, General Manager of Concerts & Lectures, The Metropolitan Museum of Art

Music* Under the credits is Harlaamstrat 74 off of John Dankworth's Modesty Blaise score.* First up is one of my very favorite recordings of all time: Andromeda from Chris McGregor's Brotherhood of Breath. One of the finest bands ever assembled. * The sailors get grumpy to Sito from Pierre Favre and the European Chamber Ensemble. (The end drum loop comes from that piece too). * The guys run off to save the day to Edgar Meyer and Mark O'Connor doing the Green Groves of Erin.* That turns into, In Threes by Loscil.

Notes* Some of the details in here originate from a fine piece that appeared in the Saturday Evening Post in May of 1944. You can read it here.* Other solid write ups: From The Book of New York The U.S.C.G. The Fire-fighter's Museum

Music * Under the credits is Harlaamstrat 74 off of John Dankworth's Modesty Blaise score. * They first meet to a piece called Brouillard (version 1) from Georges Delaure's extraordinary score to Jules et Jim. (A second version comes in later when J.J. Audubon is living the high life in England). * We also hear Waltz by Mother Falcon. * I go back to the Marcelo Zarvos/Please Give well when the Scotsman arrives at their store. Note: it's the go-to soundtrack for "People Arriving at One's Store With A Life Changing Proposition" here at the Memory Palace. Also: go watch Please Give. * The little piano piece is from Nathan Johnson's score to The Day I Saw Your Heart. * Lucy and John titter like plovers to Andrew Cyrille's dope, skittering drums on Nuba 1. * The especially sad bit, right before the end is Dream 3 (in the Midst of my Life), from Max Richter's giant, From Sleep album. * A couple times, including the ending, we hear "the Lark Ascending" from Ralph Vaughn Willliams. It is beautiful. You should buy it.

Notes As per usual, I read a lot about the Audubons and the Bakewells. I relied most upon the charming and smart, On the Road with John James Audubon by Mary Durant, and Carolyn DeLatte's lovely, thoughtful book, Lucy Audubon: a Biography. * Just a quick note: there's a very enjoyable PBS/American Masters/Nature documentary about Audubon. It's a fun and informative watch. But, I'll say, you come out of that thinking that things were fundamentally swell between Lucy and John in a way that I'm not entirely sure is supported by the facts. Or jibes with, you know, human nature.

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Music* Under the credits is Harlaamstrat 74 off of John Dankworth's Modesty Blaise score.* First bit is called Steep Hills of Vicodin Tears by A Winged Victory for the Sullen from their self-titled album. * A brief bit of Occam II for Violin by Silvia Tarrozi scores the shuttle accident (non-NASA category). * We've got Eloy by Deaf Center. * Finish out with Call from Julianna Barwick's album Pacing.

Notes* There's no, proper, grown-up biography of Margaret Knight (as far as I've been able to locate). Though there are a handful of kid's books of varying degrees of charm and accuracy. She does pop up in a fair amount of "Lady Inventors!!!" collections. I read a bunch of these, but I want to single out one for its rigor: Autumn Stanley's Mothers and Daughters of Invention.