By far the most comprehensive resource I found was Florida's Hurricane History by Jay Barnes. If you're looking to learn more, I'd definitely start there.
For years Martin Kunz has been looking down the hill from his office at Lawrence Berkeley Laboratory, out over the water, at one of the longest piers in California — the Berkeley Pier.
“I see this every day from my office when I have lunch, and I was curious what the history behind this is,” he said. He submitted a question to Bay Curious, so off we went to find the answer.
Lately, the Berkeley Pier has primarily been used as a fishing pier, but decades ago it had a very different purpose.
Berkeley’s Population Boom
Back in the early 20th century, Berkeley was growing fast. Its population went from 13,214 residents in 1900 to 56,036 in 1920. Thousands of refugees from San Francisco’s 1906 earthquake found homes in Berkeley, the University of California experienced rapid expansion and an electric train system connected Berkeley to other Bay Area cities, such as Oakland.
Berkeley was establishing itself as an urban center, yet many of its residents still worked jobs in San Francisco. To get there, workers commuted by train to Oakland and then by boat to San Francisco — an inconvenient journey that makes today’s commute look like a cakewalk. So, in 1926, the Golden Gate Ferry Co. began building a pier that would bring auto ferries to Berkeley.
When the construction was finished, the dock was 3½ miles long, making it one of the longest piers in the state. Why so long? Parts of San Francisco Bay are very shallow. Underneath the pier, the water is between 7 and 9 feet deep. The pier needed to reach parts of the bay where the water was deep enough for a ferry to travel.
“A longer dock also meant that the ferry company saved a lot of money. In other words, you had to drive all the way out to the end of the pier and use your gas instead of them using gas for the ferry,” says Chuck Wollenberg, professor of history at Berkeley City College.
Ferry service began at the pier in 1929. The three boats were named Golden Bear, Golden Poppy and Golden Shore.
Car Talk
The 1920s saw tremendous growth in the number of Americans driving personal automobiles. Ford’s assembly line made cars more affordable, and it wasn’t long before cars surpassed trains in popularity. After all, this was a time when Republicans claimed that Republican prosperity had brought “a chicken in every pot. And a car in every backyard.”
As more cars hit the road, more cars relied on the ferries at the Berkeley Pier, and lines could be long. Whenever Stanford played football against Cal at UC Berkeley, lines would stretch beyond the 3½ miles of pier.
“The mother of all traffic jams in the Bay Area occurred at the end of the Labor Day weekend,” says Wollenberg. “There was a four-hour wait. When people tried to cut in, people would take out revolvers and threaten people.”
But the same thing that created demand for the ferries also brought about the dock’s demise. With the rising popularity of cars, California legislators decided to create a bridge between Alameda County and San Francisco. The same year the ferries started running, engineers began laying plans for the Bay Bridge.
The Bay Bridge opened on Nov. 12, 1936. Former President Herbert Hoover watched as California Gov. Frank Merriam cut the ceremonial chain opening the bridge . The Golden Gate Ferry Co. would last only two more years, eventually calling it quits and giving the pier to the city of Berkeley. In total, the Berkeley auto ferries had run less than 10 years.
After the Bridge
Berkeley officials used state and city funds to convert the pier into a recreation area. It opened in spring 1938 and in the first year attracted 50,000 people. The Berkeley Recreation Department charged an admission fee of 10 cents for pedestrians and 25 cents for automobiles.
Fishing became a popular pastime on the pier and kids were encouraged to learn.
Nate DiMeo was the Metropolitan Museum of Art's Artist in Residence for 2016/2017. He produced 8 episodes inspired by the collection and by the museum itself. This is the eigth episode of that residency.
This residency is made possible by the Metropolitan Museum of Art’s Chester Dale Fund.
This episode is written and produced and stuff by Nate DiMeo with engineering assistance from Elizabeth Aubert. Its Executive Producer is Limor Tomer, General Manager Live Arts, The Metropolitan Museum of Art.
There's one "no parking" sign in San Francisco that you can bend the rules on ... if the conditions are right.
Reported by Penny Nelson. Bay Curious is Olivia Allen-Price, Paul Lancour, Jessica Placzek, Penny Nelson, Suzie Racho and Katie McMurran. Theme music by Pat Mesiti-Miller.
Ask us a question at BayCurious.org.
Follow Olivia Allen-Price on Twitter @oallenprice.
Whether at Baker Beach or Bay to Breakers, it’s not unusual to see public nudity in San Francisco. What are the current laws on the matter, and how did the city become known for bodies in the buff?
Reported by Jessica Placzek. Bay Curious is Olivia Allen-Price, Vinnee Tong, Paul Lancour, Suzie Racho, Penny Nelson and Julia McEvoy. Our managing editor is Ethan Lindsey. Vice President for News is Holly Kernan. Theme music by Pat Mesiti-Miller.
Ask us a question at BayCurious.org.
Follow Olivia Allen-Price on Twitter @oallenprice.
In lieu of your standard end-of-summer re-run, here is a very special re-run. No! Wait! I mean it. It's pretty cool. Here's the thing: Todavia, a new literary publisher in Brazil has just put out a book of Memory Palace stories translated into Brazilian Portuguese. (Purchasable world-wide through this site, if you happen to be interested),
This very special re-run has all sorts of Brazil-related bonus content, including a full episode of Helen Zaltzman's, The Allusionist. Subscribe to that fine podcast, here.