As "Harry Potter" becomes an international phenomenon, it coincides with the culture wars of the 1990s. In the backlash from Christians across America, author J.K. Rowling is accused of mainstreaming witchcraft and poisoning children’s minds.
Produced by Andy Mills, Matthew Boll, and Megan Phelps-Roper, with special thanks to Candace Mittel Kahn and Emily Yoffe.
This show is proudly sponsored by the Foundation for Individual Rights and Expression. FIRE believes free speech makes free people. Learn more at thefire.org.
Host Megan Phelps-Roper writes a letter to J.K. Rowling—and receives a surprising invitation in reply: the opportunity for an intimate conversation in Rowling’s Scottish home.
Produced by Andy Mills, Matthew Boll, and Megan Phelps-Roper, with special thanks to Candace Mittel Kahn and Emily Yoffe.
This show is proudly sponsored by the Foundation for Individual Rights and Expression. FIRE believes free speech makes free people. Learn more at thefire.org.
When President Carter promised to welcome the men and women arriving on the Mariel boatlift with "an open heart and open arms," he had referred to them as refugees. But technically speaking, they weren't refugees. They were classified as entrants, an immigration status with a peculiar legal standing in the United States. While entrants are physically allowed to enter the country, legally they're still at the border, asking to come in. Their presence in the country is known as a legal fiction — specifically, the "entry fiction." So even as Cubans were disembarking boats in droves through the summer of 1980, they were officially still floating off the coast of Key West. And this immigration status followed them to where they went next: an army base in rural Arkansas. In episode 4, the curious case of the militarized border in the middle of the Ozark Mountains. Want to hear the next episode of White Lies a week before everyone else? Sign up for Embedded+ at plus.npr.org/embedded.
During our reporting, we heard one story over and over again: that Fidel Castro had emptied his prisons to fill the boatlift. It's a story that's been told so often and with such conviction that of course it must be true, right? But what if this was more theater than history? What was happening in 1980 in Miami and throughout the country that made this story so compelling? Why did it feel so true to so many people? In Episode 3, we go to Miami to find out. Want to hear the next episode of White Lies a week before everyone else? Sign up for Embedded+ at plus.npr.org/embedded.
Sergeant Jill Evans is a small town cop in Wales with an impressive record in her job, and a less than impressive record in her love life. After three engagements, two divorces and one affair, she’s beginning to worry that love is only true in fairy tales. That is until she meets: Dean. He’s a wealthy beauty entrepreneur with his own range of toiletries.
Girl meets boy. Boy meets girl. They kiss and fall in love. Roll credits.
But that would be boring, wouldn’t it? Instead, this is a love story like no other. It’s all going so well for Jill and Dean, until Halloween night, when Dean disappears. And Sgt. Jill is left to pick up the pieces.
From Wondery and Novel, comes a new series. Hosted by Kerry Godliman.
Follow Stolen Hearts on Amazon Music of wherever you get your podcasts. You can listen early and ad-free by subscribing to Wondery+ in Apple Podcasts or the Wondery App.
The story of the men on the roof didn't start with that prison takeover in 1991. It didn't start when they were detained in federal prisons. And it didn't start when the government made a secret list of their names in 1984. Instead, it started in the spring of 1980, with one of the largest refugee crises in American history: the Mariel Boatlift. Want to hear the next episode of White Lies a week before everyone else? Sign up for Embedded+ at plus.npr.org/embedded.
It all started with a photograph. A photograph from 1991 of a prison takeover in rural Alabama. A photograph of a group of men on the roof of that prison holding a bedsheet scrawled with a message: "Pray for us." In the first episode of the new season of White Lies, hosts Chip Brantley and Andrew Beck Grace go searching for answers to the questions raised by this photograph. Who were these men? What on earth had made them want to take over that prison? And what became of them after? As they search, they uncover a sprawling story: a mass exodus across the sea, a secret list, and the betrayal at the heart of this country's ideals. Want to hear the next episode of White Lies a week before everyone else? Sign up for Embedded+ at plus.npr.org/embedded.
In 1991, a group of men took over a federal prison in rural Alabama. But these men weren't prisoners, they were immigration detainees, all of them from Cuba. And none of them were serving time for a sentence; they were being indefinitely detained. Who were these men? What in the world had brought them from Cuba to a prison in rural Alabama, and what became of them afterward? On the new season of White Lies, hosts Chip Brantley and Andrew Beck Grace set out to find the men who took over the prison and, in the process, unspool a sprawling story of a mass exodus across the sea, back-channel cold war communiques, family separation, and a secret list.
Hosted by Ash Kelley and Alaina Urquhart from the hit show Morbid.
When 90-year-old Laurence Pilgeram drops dead on the sidewalk outside his condo, you might think that’s the end of his story. But, really, it’s just the beginning. Because Laurence and others like him have signed up to be frozen and brought back to life in the future. And that belief will pull multiple generations of the Pilgeram family into a cryonics soap opera filled with dead pets, gold coins, grenades, fist fights, mysterious packages, family feuds, Hall of Fame baseball legends, and frozen heads — lots of frozen heads. From Wondery, comes a story about life, death, and what comes next.
Follow Frozen Head on Amazon Music or wherever you get your podcasts. Binge early and ad-free by subscribing to Wondery+ in Apple Podcasts or the Wondery App.
