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Jon, Lovett, Dan, and Tommy answer your questions about the upcoming midterms, early bets on 2028, what they got wrong about this year, and Lovett's future reality television career. Then, they listen back to their 2024 New Year's resolutions and set ones they hope to actually keep in 2025.
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To hear President Trump tell it, the late 1800s, i.e. the Gilded Age, were a period of unparalleled wealth and prosperity in the U.S. But this era was also marked by corruption and wealth inequality. Sound familiar? On today's show, is history repeating itself?
This episode originally aired June 5, 2025.
Related:
Trump's tariff role model For sponsor-free episodes of The Indicator from Planet Money, subscribe to Planet Money+ via Apple Podcasts or at plus.npr.org. Fact-checking by Sierra Juarez. Music by Drop Electric. Find us: TikTok, Instagram, Facebook, Newsletter.
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Eight years ago, Daniel Day-Lewis announced he was retired from acting. He offered no further comment. Retirement notwithstanding, in October, Daniel Day-Lewis appeared in a new movie. He plays a man who long ago left the world he once knew – and then is contacted by a family member to come back.
It was written with and directed by his son, Ronan Day-Lewis. Father and son spoke with host Mary Louise Kelly about their film, Anemone.
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This episode was produced by Kathryn Fink and Connor Donevan, with audio engineering by Jimmy Keeley and Neisha Heinis. It was edited by Patrick Jarenwattananon. Our executive producer is Sami Yenigun.
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The Continentals and other paper monies only temporarily retained some value largely because of an initial promise of future redemption in gold and silver—a monetary “bait-and-switch.”
Original article: https://mises.org/mises-wire/continental-bait-and-switch
The Maidan Massacre of February 2014 supposedly involved Ukrainian government troops tied to President Viktor Yanukovych, a Russian ally, leading to his overthrow. But what if it was a false flag operation done to make people blame the government?
Original article: https://mises.org/mises-wire/revisiting-maidan-massacre
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Philosopher, author, and co-host of Dystopia Now Émile Torres joins Bad Faith to discuss his coverage of Noam Chomsky & the Epstein files before engaging in a broader conversation about Big Tech titans' emphasis on a dystopian transhumanism that's rooted in eugenics and an unfounded faith in their own genetic superiority. How should the left compete with this Silicon Valley vision of the future? Does it look like Star Trek? Plur1bus? Or Bicentennial Man? Is human extinction necessarily bad if our moral "accounting" balances the beauty of humanity against our capacity for cruelty? A fascinating conversation you won't want to skip.
Subscribe to Bad Faith on YouTube for video of this episode. Find Bad Faith on Twitter (@badfaithpod) and Instagram (@badfaithpod).
Produced by Armand Aviram.
Theme by Nick Thorburn (@nickfromislands).
Camillo Tarello was one of the fathers of modern agriculture. Fighting the headwinds of state disapproval for his innovative farming methods, he made many agricultural discoveries, benefitting not only his fellow Italians, but future farmers around the world.
Original article: https://mises.org/mises-wire/camillo-tarello-forgotten-farmer-who-outsmarted-state
For sponsor-free episodes of The Indicator from Planet Money, subscribe to Planet Money+ via Apple Podcasts or at plus.npr.org. Fact-checking by Sierra Juarez. Music by Drop Electric. Find us: TikTok, Instagram, Facebook, Newsletter.
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President Trump is using his position to access sporting events across the country and embed himself with teams and fans. And he’s leveraging sports and American sports culture to build up and amplify his political brand. NPR’s Tamara Keith speak with Christine Brennan, a longtime sports columnist and author, about the president and the significance of his strong ties to sports.
For sponsor-free episodes of Consider This, sign up for Consider This+ via Apple Podcasts or at plus.npr.org. Email us at considerthis@npr.org.This episode was produced by Jeffrey Pierre and Henry Larson. It was edited by Sarah Robbins, Dana Farrington and Rebekah Metzler. Our executive producer is Sami Yenigun.
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