Pundits are claiming that the demise of the Washington Post will weaken democracy and provide a boost for government corruption. As usual, the pundits are badly mistaken.
From school assemblies to “Mr. Rogers Neighborhood,” Ella Jenkins was a rhythm specialist and children’s music pioneer. Her childhood in Chicago was her launching pad.
In our last episode, we learned that the first Chicago public school named after a Black person was DuSable High School, in honor of Chicago’s first nonindigenous settler, Jean Baptiste Point DuSable. It turns out some of the most notable Chicagoans graduated from DuSable, including Mayor Harold Washington, historian Timuel Black and Jenkins.
Today, we bring you a conversation about this music icon, who harnessed curiosity, life experience and charisma to create some of the most unique and prolific art of the 20th century. Jenkins forged a path in the music industry during a time when children’s musicians didn’t really exist. She persevered through the civil rights era, took ownership of her music in an industry that often took advantage of women and made the focus about children.
Professor of American studies at George Washington University Gayle Wald sat down with Curious City Editor Susie An at the 2025 Evanston Folk Festival to talk about Jenkins’ life. Wald is the author of “This is Rhythm: Ella Jenkins, Children’s Music and the Long Civil Rights Movement.”
Behind every Ilia Malinin or Alysa Liu, there is an army of elite figure skating coaches and choreographers who have been with them from the beginning. On today’s show, how much does it cost to achieve Olympic glory and why is it so expensive?
Statists love to claim that government services would be better if only they were “fully funded.” However, given their nature, government services always will be seen as “underfunded” no matter how much money politicians throw at them.
Many of Chicago’s oldest schools are named after white men. The first named after a Black person goes back to the 1930s, and it came with some controversy.
Before he vows to leave her alone, Rob breaks down the cataclysmic career of a pop star who did it for the love of the game and the disgust of the fame. Britney Spears had the power to shift culture with a single VMAs performance, yet her music reflected a desperation to control her own personal life. Despite the public’s continuous mistreatment of Britney, she selflessly gifted us one of the most iconic bangers of our time: “Toxic.” Afterwards, Rob speaks with music journalist Jeff Weiss to talk about the unfinished evolution of Britney’s career, the difference in today’s celebrity culture, and creation of his book, ‘Waiting for Britney Spears,’ in the time of the Free Britney movement.