RadCasts

The Booker prize winning novelist Arundhati Roy looks back at her foremost influences in her memoir, Mother Mary Comes To Me. While her writing and activism are shaped by early circumstances – both financial and political – at the centre is her relationship with her mother, who she describes as ‘my shelter and my storm’.

The poet Sarah Howe won the TS Eliot prize for poetry for her debut collection, Loop of Jade. In her new work, Foretokens, she returns to the complex inheritance of family and language, as she tries to piece together the fragmentary, often mythical, early life of her Chinese mother, given away at birth.

The academic Lea Ypi travels through the history of Ottoman aristocracy to the making of modern Albania and the early days of communism as she attempts to retrace the life of her beloved grandmother. In her new book, Indignity: A Life Reimagined, she reveals the fragility of truth, as her own memories collide with secret police reports and newly discovered photographs.

Producer: Katy Hickman Assistant Producer: Natalia Fernandez

One month after sending the National Guard into Washington, D.C. saying they would fight crime there, President Trump is so pleased with the results that he is discussing how to put federal troops onto the streets of cities across the country — from Chicago to New Orleans. It’s a potentially dramatic expansion of what has already become an unprecedented military deployment on domestic soil.

Today, we hear from residents of Washington about what life is like with the National Guard in town.

Guest:

• Jessica Cheung, a senior audio producer at The New York Times

Background reading: 

• The District of Columbia sued the Trump administration last week, challenging the National Guard deployment and describing it as a “military occupation.”
• Here’s what we know about Mr. Trump’s crime and immigration crackdown across the U.S.

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 

Photo: Alex Kent for The New York Times

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