Start the Week - Thomas Heatherwick on design and architecture

On Start the Week Andrew Marr goes in search of ancient landscapes with the writer Robert Macfarlane. With a mix of geology, cartography and natural history, Macfarlane journeys on foot to explore ideas of pilgrimage, trespass and ancient pathways. Jonathan Meades is equally preoccupied with a sense of place, but turns his attention to its architecture and the futility of landmark buildings. Anna Minton argues against the increasing privatisation of public space. And size is no matter to the designer Thomas Heatherwick - from a new London double decker, to a bridge that curls up and a handbag made from zips - he always has the human scale in mind. Producer: Katy Hickman.

World Book Club - Amitav Ghosh – The Shadow Lines

This is the last edition of the London Calling season of World Book Clubs - which have been going out each Saturday during May.

This week the programme are guests of The Nehru Centre - the cultural wing of the High Commission of India in London - and we're talking to acclaimed Bengali Indian author Amitav Ghosh about his haunting novel, The Shadow Lines.

A moving and thought-provoking meditation on the very real yet invisible lines, which divide nations, people, and families, The Shadow Lines focuses on a family in Calcutta and Dhaka and their connection with an English family in London.

From the tales of his colourful cousin the narrator conjures up a picture of London in his imagination that is so vivid that he recognizes it instantly when he visits years later and learns that real places can be invented inside your head.

(Photo: Amitav Ghosh) Credit: Getty Images)

New Books in Native American Studies - Gregory McNamee, “The Only One Living to Tell: The Autobiography of a Yavapai Indian” (University of Arizona Press, 2012)

Late in 1872, as the United States sought to clear the newly incorporated Southwest of its indigenous inhabitants, a company under Capt. James Burns came upon an encampment of Kwevkepayas (a branch of Yavapais) sheltering in the shadow of rock overhang above the Salt River Canyon. The soldiers wasted no time on the formalities of battle. They rained down fire, bullets ricocheting from the roof the cave, felling the refugees below. They even pushed down boulders. None survived.

Well, almost none. A few days prior, the advancing soldiers had come across a young boy of eight or nine looking for a missing horse. “They made a rush for me,” Hoomothya would later write. “They pulled me over rocks and bushes. The men didn’t care whether I got hurt or not.” But unlike Burns’ Kwevkepaya siblings, aunts, uncles, cousins, and grandfather, the invaders did not kill him. In fact, the man responsible for his family’s extermination would adopt the young Hoomothya as something between a son and a servant, renaming him Mike Burns.

Over a century later, the prolific writer and editor Gregory McNamee has brought us Burns’ remarkable story. In The Only One Living to Tell: The Autobiography of a Yavapai Indian (University of Arizona Press, 2012), Burns recounts his survival of the massacre, his time as a scout for the U.S. military on the campaign against Geronimo, his education n white schools, and eventual reconnection with his Yavapai community. “Mike Burns lived in two worlds,” McNamee tell us, “and he was at home in neither.” But his intelligence, humor and compassion illuminates both in profound and unexpected ways.

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